Artist of the Week: Sandra Hamaoui

On April 10, the Opernhaus Zürich will revive its acclaimed production of Verdi’s “Rigoletto.” The production will feature veteran performers and some of the {…}

Reassessing ‘Orphée aux enfers’ – How the 1973 Théâtre de la Gaïté-Lyrique Production Spotlights Offenbach’s Opera in a Class of its Scandalous Own

Perhaps no other work within the conventional canon of comic opera, of which Rossini, Donizetti, Mozart, Webern, and Lehar find their respective places, has achieved so much lasting success as Jacques Offenbach’s two (then four) act opéra bouffon “Orphée aux enfers.”  It was composed between 1855 and 1858 as a humorous reaction to the stuffy court opera aesthetic and hyper-focus {…}

Artist of the Week: Jennifer Johnson Cano

This weekend Kevin Puts and Grieg Pierce’s “The Hours” will make its world premiere. The work is one of the most anticipated operas of the year as it is based on {…}

Page to Opera Stage: Midcentury Psychological Horror in Graham’s & Muhly’s ‘Marnie’

(Credit: Ken Howard Metropolitan Opera) “Page to Opera Stage” looks at stories – real-life or fiction, old and new – that have inspired operas, and the ways these {…}