Opera Meets Film: How ‘Die Fledermaus’ Casts An Illusion Consciously & Subconsciously In Christian Petzold’s ‘Transit’
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment will take a look {…}