As we wrap up 2025, here is a look back at some of the most-read articles of the year. We will focus mainly on longer-form pieces like reviews and interviews for this article. Top 10 Most-Read Reviews of 2025 Metropolitan Opera Review of New “Aida” Production Royal Ballet & Opera Review of “Tosca” with Anna Netrebko Metropolitan Opera Review “La {…}
Photo Credit: Opéra national du Rhin A multitude of operas are premiered every year, some of which never really get as publicly highlighted as they should. Often this is because other operas take the limelight, funds, and critical attention. Thus, in this three-month series, “Opera History Flashbacks,” we will be taking a look at three historically important years and the {…}
It is time to wrap up the year and look back at our favorite moments and performers. After releasing our favorite performances of 2025 and showcasing our rising stars of the year, it’s time for OperaWire’s annual tradition of naming our top singers of the year, honoring the opera stars that had major, and in some cases, career-defining, years. So without further ado {…}
The New Year is upon us, which means it’s time to look back and reflect at what was and what will remain in our memories. As per usual, OperaWire has compiled the favorite performances of the year from many of our contributors. We won’t keep you waiting, here’s a look at the Staff Picks for the best performances of 2025. {…}
(Credits: Brescia e Amisano) This week the Teatro alla Scala opens its 2025-26 season celebrating the 50th anniversary of Shostakovich’s death, presenting the 1934 edition of his masterwork “Lady Macbeth of Mtsensk.” It’s a work that is rarely performed due to its challenging score and huge cast. With La Scala’s new production, several cast members will be appearing with the {…}
It’s that time of the year. The end of the year. As with every year, 2025 was full of a lot of opera revelations in productions, concerts and competitions. So in recognitions of those breakouts, here’s a look at some of the young singers who are likely to make operatic waves in the very near future. Here are OperaWire’s 10 {…}
This week, the Semperoper Dresden opened a revival of “Turandot,” one of Puccini’s most popular works. However, what made this revival special was the birth of a new interpreter of the title role. Camilla Nylund made her role debut as Turandot, returning to Puccini after singing Tosca to great acclaim. In a statement to OperaWire regarding her role debut as {…}
Photo Credit: IMG Artists/Frederica von Stade/Robert Millard (2005) This year was exciting for many reasons but one of them stands out. On Monday, March 10, 2025, the documentary about Frederica von Stade, “Flicka: A Love Letter,” first created in 2023, was screened at the National Opera Center in New York City. Combining archival footage of performance clips, Brian Staufenbiel’s “Flicka” gave {…}
Yes, you can be a conductor and a mother. But no one told me that. The classical music world rarely talks about women on the podium who are also mothers. I want the next generation to know that it’s possible—even if it’s exhausting. When I was 21, I decided I wanted to be a conductor at the highest level. Inspired {…}
