“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Maurice {…}
This week, the Maggio Musicale Fiorentino is set to open “Nabucco,” the work that put Verdi on the map and is regarded as one of his early masterpieces. At the core of the opera is the challenging role of Abigaille, which requires a soprano who can sing both very low and very high with dramatic force and is also capable {…}
For this week’s word search, we turn our attention to the Hispanic Heritage Month (or Latinx Heritage Month). Our focus will be on major artists. Instructions: You are free to solve the word search directly on your mobile or desktop device; just click the first and last letter of each word for it to appear on the screen. For those {…}
***Editorial Note: This article has been modified from its original version. (Credit: Ken Howard / Metropolitan Opera) “Porgy and Bess” is arguably America’s most celebrated and beloved opera. Following its premiere in 1935, the opera by George Gershwin about an African-American community in Charleston, South Carolina has become a mainstay of opera houses across the world, receiving major productions at {…}
San Francisco’s spring opera production of “Death in Venice” in 1975 was the real deal—the ingenious novella of German writer, Thomas Mann, turned into a haunting and exquisite opera by the English composer Benjamin Britten, libretto by Mfanwy Piper. The production was created by the remarkable Gerald Freedman, a well-known American theater and opera director, assistant not only to New {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Maïme {…}
Italian. French. German. Russian. English. These languages are at the core of opera’s standard repertory. But what many don’t know, is that Spanish-language opera has as rich a heritage to choose from and many works in Spanish deserve a similar foothold in the standard repertory. For this week’s quiz, we are going to shine the slimmest of lights on the {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Yukio {…}
(Credit: Eric Bouloumié) After months of closure, the Opéra de Bordeaux opens its 2020-21 season with a modified production of Verdi’s beloved “La Traviata.” The masterpiece will get a starry cast including Rachel Willis-Sørensen, who makes her role debut as Violetta. Since her win at the Operalia competition in 2014, Willis-Sørensen has become well known for her lush sound and {…}
