Last year, we took a look at some of the Oscar Nominees to see which of them would provide suitable opera adaptations for current and future composers of the art form. In theory, any of these ideas could be adopted into an opera with sufficient ambition and creativity, but some of the films operate very closely to the operatic language {…}
(Credit: Marty Sohl/Met Opera) The Metropolitan Opera House is a dream for every opera singer. This week acclaimed coloratura soprano and rising star Brenda Rae will get a chance to realize that very dream when she makes her Met debut in the company’s first-ever production of Handel and Grimani’s “Agrippina.” Rae, who is a former ensemble member of Oper Frankfurt {…}
The opera aria is one of the best-known passages of any work. So for this week’s edition of the word search we ask you to find in the missing word from each of these solo passages. Instructions: You are free to solve the word search directly on your mobile or desktop device; just click the first and last letter of {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Tom Hooper’s Academy {…}
(Credit: Pierre Petit) When Giacomo Meyerbeer died on May 2 in 1864 in Paris, he was one of the most performed composers of his time. Among the surviving manuscript documents in the Meyerbeer archive in Berlin is to be found a prayer that Giacomo Meyerbeer wrote on 8 December 1863, a few months before his death: “Great almighty God! … {…}
(Credit: Steven Laxton) Throughout the years the story of Orfeo and Euridice has been portrayed on stage in several different works and operas. Gluck’s “Orfeo ed Euridice” has dominated the scene while Monteverdi’s “Orfeo” has slowly seen a resurgence in popularity. But it doesn’t stop there as Haydn, Charpentier, Luigi Rossi and even Offenbach put their mark on the story. {…}
Another Mozart quiz? To this point, we have created a plethora of Mozart quizzes based around his career as an opera composer, his characters, and even his opera’s performance histories. Here is another quiz, made to celebrate his birthday on Jan. 27 (or 26 depending on who you ask) to push your knowledge of the famed composer’s operas even further. {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment “To All the Boys {…}
(Credit: Robert Workman) Back in 2018 when Jonathan Tetelman made a surprise debut at the Tanglewood Festival, OperaWire wrote “we’ll all be hearing a lot more about him, and soon.” The tenor showed promise and immediately became a major tenor on the rise. Two years later, Tetelman has fulfilled that promise bringing his career to an international level with major {…}
