(Photo credit: François Matarasso) When you think of opera, one imagines a beautifully finished product, usually disconnected from the labor involved in its creation. But what would happen if the labor to produce opera was just as foregrounded as the result of that labor? This question has been taken up in many forms over the last six to seven decades. {…}
The nature of cinematography and (classical) singing is long-winded. From some of the early experiments like the acclaimed 1927 film, “The Jazz Singer” by Warner Bros, to the emergence of new giants like Metro-Goldwyn-Mayers Studios (MGM) and their copious amount of opera-laced films like their 1935 film, “A Night at The Opera,” opera on film has had a long development. {…}
After opening at Montclair State University, Teatro Nuovo is set to bring its 2024 festival to New York City where it will showcase two rarities of the Bel Canto repertoire. One of the operas is well-known in Europe while the other “Anna di Resburgo” by Carolina Uccelli, is unknown to the world. Teatro Nuovo will unearth the work this week {…}
This week the Festival Valle d’Itria in Martina Franca is set to open a new production of Bellini’s “Norma” which will be performed in Roger Parker’s Ricordi edition. The version will see two sopranos in the opera, which is close to what Bellini originally intended. Among the artists enlisted for this production is Jacquelyn Wagner. Wagner will make her house {…}
The story of how Accademia Bizantina (AB) began seems quite simple. But like all good stories, there is more to it than meets the eye. In 1983 three classmates of the Ravenna Conservatory met for coffee. This initial meeting included Angelo Nicastro, a violist and now director of the Ravenna Festival; Romano Valentini, a pianist, organist, and harpsichordist, as well {…}
(Credit: Richard Hubert Smith) Last week, the Glyndebourne Festival opened its 2024 production of “Giulio Cesare,” a revival of a production by David McVicar. The production features a cast of rising stars and baroque specialists. Among them are Aryeh Nussbaum Cohen who is returning to the festival after his successful debut in Händel’s “Semele.” For his performances thus far he {…}
This week the San Francisco Opera will revive its acclaimed production of Händel’s “Partenope.” The production will star some of the most acclaimed singers in the Baroque repertoire and will showcase three debuts. Among the debuts is Italian countertenor Carlo Vistoli who has performed around the world. In anticipation of his debut, Vistoli spoke to OperaWire regarding the production. OperaWire: {…}
What does an unfinished opera have in common with a historical landmark, Chinese cultural history, thousands of singers, eloquent music, and expert dramaturgy? In 1998, just like Wagner’s trilogy, these disparate elements come together to form a work of epic proportion in Zhang Yimou and Zubin Mehta’s collaborative project, “Turandot at the Forbidden City.” In this article, we will explore {…}
Music is multidimensional and can resonate with people of different cultures, backgrounds, beliefs, and so on, in very different ways. Because of how subjective music is, it is difficult to provide a systematic explanation of what music arouses in us emotionally, because people respond to the same and also different songs differently. However, while it’s difficult to concisely explain what {…}
