Donizetti, born on Nov. 29, 1797, is one of the major contributors to the modern canon. Among his most recognized operas are “Lucia di Lammermoor,” “L’Elisir d’Amore,” the Tudor Queen trilogy, and “Don Pasquale” to name just a few. But he composed dozens upon dozens of works throughout his career, many of which remain obscure to this day. So for {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment looks at Martin Scorsese {…}
(Credit: Ray Burmiston / Decca Classics) There are few debuts at the Metropolitan Opera House in 2019-20 as hotly anticipated as that of soprano Lise Davidsen. Called a “voice in a million,” and a “Once in generation Wagnerian” by Opera Now, the Norwegian diva is renowned for her work in more dramatic repertory, including the works of Wagner and Strauss. {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment looks at Fred Rogers’ {…}
(Credit: Elena Cherkashyna) Tenor Xabier Anduaga has been around for a couple of years singing throughout Europe. But this past summer, he announced himself to the opera world at large when he became the winner of Operalia. Now he will further cement his position as he makes his return to the Donizetti Festival with “Lucrezia Borgia,” in his role debut {…}
Leonie Rysanek is one of the most beloved sopranos of the 20th century. Born on Nov. 14, 1926, she would forge a major career as an interpreter of the works of Wagner and Strauss. She was also a champion of many of the heavier Verdi roles. Later in her career, she transitioned to becoming a mezzo-soprano, leaving her mark on {…}
(Credit: Frédérick Desmesure) Elza van den Heever is one of the most dynamic sopranos of her generation. Her repertoire spans several periods from baroque to Mozart and Bel Canto as well as Wagner, Strauss, and Verdi. She is an acclaimed actress and is especially hailed for her sparkling high notes. Throughout her her 2019-20 season the soprano will showcase three {…}
(Credit: Allan Warren) Dame Joan Sutherland was born on Nov. 7, 1926. The great Australian soprano would go on to conquer an entire generation of opera lovers with her flawless vocal technique and exquisite sense of line. She was and remains, for many, the epitome of bel canto singing of the 20th century. In celebration of her recent birthday, here {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Taika Watiti’s “Jojo Rabbit.” On first instance, “Jojo Rabbit” is as weird a film as its title suggests. We are following around a young boy Jojo as he tries to make his way into the Nazi ranks. Goading him on his imaginary friend Hitler, a cartoony, fun-loving, father figure to the inexperienced boy. Nazis and their rules and regulations are {…}
