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Reviews, Stage Reviews

Teatro Real 2023-24 Review: Rigoletto (Cast C)

https://operawire.com/teatro-real-2023-24-review-rigoletto-cast-c/

It belongs in the past, the idea of gathering excellent singers for opening night and then choosing unknown young performers for alternative casts. Teatro Real, with the participation of Quinn Kelsey, John Osborn and Gianluca Buratto, proved how strong cast C was for its production of “Rigoletto.” Quinn Kelsey as Rigoletto Baritone Quinn Kelsey portrayed the titular role. He has {…}
Reviews, Stage Reviews

Teatro Real 2023-24 Review: Rigoletto (Cast B)

https://operawire.com/teatro-real-2023-24-review-rigoletto-cast-b/

The Teatro Real de Madrid continued its run of “Rigoletto” with a second cast under the musical direction of Nicola Luisotti. Since our earlier review of the first cast already explores the production itself, we will jump right into an analysis of the vocal performances. Étienne Dupuis was a lyrical Rigoletto, but far too lyrical. His warm and effortless timbre {…}
Reviews, Stage Reviews

Teatro Real de Madrid 2023-24 Review: Rigoletto

https://operawire.com/teatro-real-de-madrid-2023-24-review-rigoletto/

(Credit: Javier del Real) A woman’s whimper, a stifled scream, echoes in the dark. She flees into the theatre, amidst the stalls, chased by a few men in ominous rabbit masks. She seeks refuge on stage, terrified in front of the bright red curtain, the pack hunts her down, overpowers her. The trombones attack the prelude, with haunting repeated notes, {…}
Reviews, Stage Reviews

Teatro Real de Madrid 2025-26 Review: Il Trovatore (Cast B)

https://operawire.com/teatro-real-de-madrid-2025-26-review-il-trovatore-cast-b/

Teatro Real de Madrid closed its season with 17 performances of its own production of Giuseppe Verdi’s “Il Trovatore.” There was no fixed casting for the run, especially after the cancellation of Anna Netrebko, with five sopranos, four tenors, three baritones, and five mezzo sopranos rotating across the different performances. OperaWire attended the performance on July 8, which marked the {…}
News

Cast Change: Luca Salsi Joins ‘Rigoletto’ at the Royal Opera House

https://operawire.com/cast-change-luca-salsi-joins-rigoletto-at-the-royal-opera-house/

(Credit: MarcoBorrelli) The Royal Opera House has announced a cast change for its production of “Rigoletto.’ The company said that Luca Salsi replaces Daniel Luis de Vicente in the title role. Salsi is a renown Verdi interpreter who has performed the role at the Metropolitan Opera, Royal Opera House, Teatro del Maggio Musicale Fiorentino, and Teatro La Fenice, among others. {…}
Interviews, Stage Spotlight

Q & A: Soprano Ruth Iniesta on ‘Jugar con Fuego,’ Zarzuela, ‘Rigoletto’ & ‘La Bohème’

https://operawire.com/q-a-soprano-ruth-iniesta-on-jugar-con-fuego-zarzuela-rigoletto-la-boheme/

(Credit: Gemma Escribano) This month Ruth Iniesta is set to return to the Teatro de la Zarzuela, where she will sing the role of La duquesa de Medina in “Jugar con Fuego.” The zarzuela by Francisco Asenjo Barbieri, which premiered in 1851, is relatively unknown and for this production, the Madrid theater will present a new production. Throughout the past {…}
Reviews, Stage Reviews

Teatro Real de Madrid 2025-26 Review: I Masnadieri

https://operawire.com/teatro-real-de-madrid-2025-26-review-i-masnadieri/

(Credit: Javier del Real | Teatro Real) In recent years, Madrid’s Teatro Real has programmed many “operas in concert.” Sometimes they’re well-known, such as “Orfeo ed Euridice,” “Idomeneo,” or “Die Fledermaus” that I attended at the venerable theatre over the last three seasons. On occasion, they present more obscure works, such as Verdi’s early opera “I masnadieri”(1847). In the past, {…}
Reviews, Stage Reviews

Teatro Filarmonico 2025 Review: Ernani

https://operawire.com/teatro-filarmonico-2025-review-ernani/

(Credit @Ennevi/Verona Arena Foundation) “Ernani” (1844), Verdi’s fifth opera, is possibly the finest of his early period. More than any of his preceding works, it marks a drastic change from bel canto operas of the time in two respects. Firstly, the libretto, until then of secondary importance, was pivotal, as bel canto was mostly about beautiful voices, especially the soprano’s. {…}
News

Cast Change: Sarah Dufresne & Andriana Chuchman Join Cast of ‘Rigoletto’ at the Canadian Opera Company

https://operawire.com/cast-change-sarah-dufresne-andriana-chuchman-join-cast-of-rigoletto-at-the-canadian-opera-company/

The Canadian Opera Company has announced a cast change for its production of “Rigoletto.” The company said, “Soprano Andrea Carroll has withdrawn from the COC’s upcoming production of Rigoletto. The COC welcomes sopranos Sarah Dufresne and Andriana Chuchman to share the role of Gilda for the duration of the performance run.” Dufresne will perform on Jan. 24, 28, and Feb. {…}

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