CD Review: Rachel Fenlon’s ‘Winterreise’

Rachel Fenlon’s “Winterreise” is quite extraordinary for many reasons. First, Schubert’s famously melancholy cycle was originally written for tenor, and though frequently transcribed for baritonal depths or even bass, its interpretation history remains confined largely to male voices. Secondly, Fenlon achieves a high degree of German Innerlichkeit, that somewhat obscure, culturally rooted feeling of inward expressiveness which so pervaded the {…}

Q & A: Tenor Allan Clayton on Schubert’s ‘Winterreise,’ His Process & An ‘Interesting’ Crossroads With Future Projects

   (© Sim Canetty-Clarke) At the pinnacle of the song cycle is Schubert’s “Winterreise.” It is a work that has been mythologized and has influenced generations of composers thereafter including Mahler, Britten, and Maury Yeston to name just a few. While written for tenor, it has nonetheless been recorded and performed by lower male voices as well as a plethora {…}

Nadezhda Karyazina, Mauro Peter & Chiara Skerath Lead Opernhaus Zürich’s Livestreams

(Credits: Kartal Karagedik / © Capucine de Chocqueuse / Christian Felber) Opernhaus Zürich will live stream two of its productions in February 2021. Due to the Swiss government’s COVID-19 regulations, both productions will be performed without a live public. Performances will be viewable on the Opernhaus Zürich’s website. First up will be Franz Schubert’s “Winterreise.” Hans Zender’s rearrangement of Schubert’s {…}