(Credit: Gran Theatre del Liceu/Bayerische Staatsoper/Metropolitan Opera) This weekend is stacked with a number of new productions and revivals with some of the biggest stars. Here is a look at seven works we think are unmissable. Guillaume Tell – Chorégies d’Orange, France Nicola Alaimo takes on Rossini’s final opera, a work that has become his signature. He is joined by {…}
The Palau de les Arts has announced a varied 2019-20 season featuring operas, zarzuelas, concerts, and recitals. Here is a look. Mozart’s “Le Nozze di Figaro” is set to be conducted by Christopher Moulds in a production by Emilio Sagi. The cast will be headed by Andrzej Filończyk, María José Moreno, Sabina Puértolas, Robert Gleadow, Cecilia Molinari, Susana Cordón, and Valeriano Lanchas. Performance {…}
The Teatro alla Scala has announced its 2019-20 season featuring numerous new productions, rare works, and a number of stars. Anna Netrebko opens the Teatro alla Scala in the title role of Puccini’s ‘Tosca” with Luca Salsi in the role of Scarpia. Riccardo Chailly conducts the production by Davide Livermore. Saioa Hernández sings three performances of the title role. Performance {…}
The Arena di Verona has announced its casting for its star-studded 97th annual festival. La Traviata Four sopranos will share the leading role of Violetta Valéry, including Aleksandra Kurzak, Irina Lungu, Lisette Oropesa, and Lana Kos, while four tenors will share the role of Alfredo Germont, including Pavel Petrov, Vittorio Grigolo, Raffaele Abete, and Stephen Costello. Leo Nucci, Simone Piazzola, {…}
The weekend is here and we have some interesting recommendations that include role debuts, classic works and some rare and new operas that are worth checking out. Here is a look at what we recommend for the weekend. The Seasons-Teatro Colón, Argentina Haydn’s rarely performed oratorio gets a showcase with soloists Daniela Tabernig, Hernán Iturralde in the lead role, and {…}
As festival season comes to an end, a number of classics will be presented. The weekend will also see a historic performance for legendary opera singer Plácido Domingo. Here is a look at what you need to see this weekend. Les Pêcheurs de Perles – Salzburg Festival, Austria Plácido Domingo makes history this weekend as he takes on his 150th role {…}
The Teatro San Carlo has announced its 2018-19 season. The season will include some of the biggest stars in opera as well as some rare gems. Here is a look at what San Carlo will offer operagoers next season. Productions Riccardo Muti conducts the opening night with a new production by Chiara Muti of Mozart’s “Così Fan Tutte.” Alessio Arduini, {…}
The Staatsoper Unter den Linden Berlin has announced its 2018-19 Season, featuring numerous new productions and revivals featuring some of today’s most popular artists and conductors. Here is a look at what to expect next season. New Productions (in alphabetical order by title) Sonya Yoncheva headlines a new production of Cherubini’s “Medea” with Andrea Breth directing. Daniel Barenboim conducts the star-studded cast, {…}
Violetta Urmana will replace Alice Coote in the Spanish National Orchestra’s upcoming concert. According to a press release from the orchestra, Coote canceled the concert due to personal reasons. She was to perform in a program entitled “Cleopatra’s Requiem” on Feb. 16, 17 and 18 under Sir Mark Elder. Now Urmana will take over and perform the scheduled program which {…}
On Oct. 20 2017, hr-Sinfonieorchester will be live-streaming its performance of Verdi’s “Requiem” on its website. Announced on the Instagram page of tenor Saimir Pirgu, the concert, conducted by Andres Orozco-Estrada, will also feature soprano Erika Grimaldi, mezzo-soprano Violeta Urmana, and bass Carlo Colombara. Verdi’s “Requiem” first began as a collaborative effort between several Italian composers in honor of the passing of {…}
I preface this by stating that this review is for the performance on March 31, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. Despite being such a familiar opera, {…}