The world is set to undergo a change this week with a massive transfer of power. There is tremendous uncertainty regarding this situation, some expecting the very worst. Art represents an interesting window into our deepest fears and opera has its fair share of oppressive regimes and tyrannical rule in all guises. What follows is a look at some of {…}
Another weekend in 2017, even more operatic activity around the United States. Of course the Metropolitan Opera continues its busy schedule with “Il Barbiere di Sivilgia,” “La Bohème” and “Roméo et Juliette” the three major offerings with such stars as Javier Camarena, Pretty Yende, Ailyn Pérez, Michael Fabiano, Vittorio Grigolo and Diana Damrau leading the casts for their respective operas {…}
On Thursday, the Canadian Opera company has just announced its 2017-18 season which features six opera spanning from October 5, 2017 to May 26, 2018. The works selected for the new season feature mainly staples of the canonical repertoire though there is one rare work making an appearance this season. Jane Archibald is this season’s artist in residence. The announcement {…}
Joseph Calleja will appear in the Official Opening Concert of the 2017 Maltese Presidency of the Council of the European Union on Monday, Jan. 16, 2017. The tenor made the announcement via social media on Thursday. He will perform selections from “Die Zauberflöte,” Flotow’s “Martha,” “Roméo et Juliette,” “Werther,” “Tosca,” “Le Cid” and a number of Verdi operas including “Rigoletto” {…}
Verdi’s “Don Carlo” makes its return to La Scala for the first time in decades in its five act version. For many this is the best version of the opera, but the bottom line is that there is no such thing as a real version of the opera with differing versions having different strengths. The work premiered in 1867. Heavy {…}
Violetta, the heroine of Verdi’s “La Traviata,” is one of the iconic roles of the operatic repertoire, the measuring stick by which almost all sopranos are judged. Singing the role for many is an indication for them that they have “arrived” in the opera world. It is so imbued with depth and intensity that years and years of performance reveal {…}
The union between an opera singer and his or her craft is a love story, many of which come in two variations. The first origin story is like most love stories, a chance encounter on their way into adulthood. Their first love was some other profession or dream that, like many first loves, never quite came to fruition. Such has {…}
It is always a challenge to make a role debut in a season, particularly when it features some of the most challenging repertoire in the operatic repertoire. It is an even greater risk and challenge to make three in one season. But don’t tell Davinia Rodriguez as the soprano has spent this season doing just that and succeeding all the {…}
Running a family business is a tricky proposition. Running an opera company might be even harder. Combining the two into one requires some form of genius. That has been the accomplishment of Michael Spierman, who set out on a dream alongside other colleagues to salvage operatic culture in the Bronx. The fruit of that dream, the Bronx Opera flourished and {…}
Plácido Domingo heads to the cinemas on Saturday as he returns to the role of Verdi’s “Nabucco” as part of the Metropolitan Opera’s Live in HD series. The performance will feature Domingo in the title role, for which he has garnered rave reviews. OperaWire noted that the role “fits him like a glove… At 75, his voice, while possessing an {…}
30 performances. Seven cities. Five house debuts and two role debuts. That is what tenor Brian Jagde faces in 2017. The first half of 2017 that is. The tenor, who has been growing in prominence over the last few years, is slated for a monstrous calendar year that will see him make more house debuts than he ever has before. {…}