The Easter and Passover holidays seem to have frozen up the opera world this weekend with only a handful of performances featured around the country. It’s a major turnaround from last weekend when a dozen companies were putting on a show. The Metropolitan Opera continues its unstoppable season with three performances. Friday is the final hurrah for Willy Decker’s production {…}
On first glance, you would never find the commonalities between Monserrat Caballé and Lily Pons. The two sopranos, one Spanish and the other French-American, are known for distinctly different repertoire. The former had a wide range that saw her dominate both bel canto and dramatic repertoire while the latter was best known for more delicate roles, particularly in her native {…}
The Bilbao Opera has announced its 2017-18 Season with five operas. The season begins on Oct. 21 with Verdi’s “I Masnadieri” starring Carmen Giannattasio in her Bilbao debut. It also marks the first time in 12 seasons since the opera was last performed in Bilbao and will be presented in a production by Leo Muscato that first at the Teatro Regio {…}
I preface this by stating that this review is for the performance on March 31, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. Despite being such a familiar opera, {…}
This year marks the 50th year in business for Opera Grand Rapids. They just released their 2017-18 schedule and it’s packed with such a variety of opera events! “Balance is our programming mantra for the season,” Maestro James Meena, Opera Grand Rapids artistic director said. “We strive to create season schedules that include the familiar as well as the new.” {…}
With much anticipation, the New Amsterdam Opera is bringing “La Forza del Destino” back to the stage in New York City after a long absence. “We believe that this work has not been performed in New York City in at least ten years,” said Keith Chambers, artistic director. This rare concert performance will happen on Friday, March 24th in Manhattan {…}
The Opera Royal de Wallonie will live stream Verdi’s “Jérusalem,” a rarely staged work, on March 23. The opera is conducted by the young and talented conductor Speranza Scappucci and stars Marc Laho, Elaine Alvarez, Roberto Scandiuzzi, Ivan Thirion, Pietro Picone, Natacha Kowalski and Patrick Delcour. This is the first time that the company is performing the Verdi opera in its history, and since its premiere on March {…}
Mezzo-soprano Dolora Zajick is synonymous with Verdi. She’s been the leading Azucena at the Metropolitan Opera house over the last few years, singing the role a whopping 58 times since her debut on October 8, 1988, also in that very role. In Verdi’s “Aida,” she has performed the role of Amneris 80 times at the house. Throw in 17 performances {…}
Hearing a famous opera star taking on a new role for the first time in his or her career is usually a fascinating experience. Having heard the singer grow in other repertoire and roles, there is always a tremendous sense of anticipation about hearing an artist take on a new challenge. On Tuesday, March 21, Barcelona audiences will get that {…}
When considered in the context of his entire oeuvre, Verdi’s “Attila” is far from a masterpiece. When propped up against his best work, this early work simply doesn’t hold up. In fact, prominent Verdi scholars, such as Julian Budden, have criticized the opera and called it “the heaviest and noisiest of the Risorgimento operas, blunt in style, daubed in thick garish {…}
On March 14, 1847, Giuseppe Verdi premiered his version of “Macbeth” to roaring disapproval. It would take another two decades to premiere an updated version of an opera he deemed among his finest accomplishments. While the changes are nowhere near as wild as those for “Don Carlo,” “Simon Boccanegra” or even “La Forza del Destino,” there are a few major {…}
