The Utah Opera has announced its 2023-24 season featuring four productions. Robert Tweten conducts Puccini’s “La Bohème” with Garnett Bruce directing. Performance Dates: Oct. 7-15, 2023 Benjamin Manis conducts Rachel Portman and Nicholas Wright’s “The Little Prince” with Tara Faircloth directing. Performance Dates: Jan. 20-28, 2024 Mozart’s “The Marriage of Figaro” will be conducted by Conner Gray Covington and directed by Tara Faircloth. {…}
The Utah Opera has announced its 2022-23 season featuring four productions. Ari Pelto conducts Wagner’s “The Flying Dutchman” production of Tomer Zvulun. Michael Chioldi, Wendy Bryn Harmer, Robert Stahley, and Tichina Vaughn. Performance Dates: Oct. 8-16, 2022 Stephanie Rhodes Russell conducts Donizetti’s “La Fille du Régiment.” Michael Shell directs with a cast that includes Madison Leonard, Jack Swanson, and Matthew Burns. Performance Dates: Jan. 14-22, 2023 {…}
Courtesy of Opera Idaho Opera Idaho gave new meaning to the phrase “from stage to screen” when sharing a children’s show with Idaho schools during the pandemic. During April and May, they offered “Who Wants To Be An Opera Star?” as a free 30-minute online video for children in K-6. It was adapted from the original 40-minute stage version created {…}
The Utah Opera has announced its 2021-22 season featuring four staged productions with live audiences. Here is a rundown of what the company will have on offer next season. Michael Adams stars in Rossini’s “The Barber of Seville“ alongside Sarah Coit, Matthew Grills, and Matthew Burns. Gary Thor Wedow conducts Michael Shell’s production. Performance Dates: Oct. 9-17, 2021 John Holiday, {…}
On Feb. 26, 2021, the Utah Symphony and Utah Opera announced the return of audiences to live performances at Abravanel Hall and Janet Quinney Lawson Capitol Theatre. Both venues will reopen to the public on March 25 through the remainder of the spring season. The companies announced that six Masterworks concert programs are planned alongside a May opera production. In {…}
In a decision announced by the Utah Symphony-Utah Opera on June 24th, Steven Brosvik, chief operations officer at the Nashville Symphony, has been named President and CEO of Utah’s flagship music organizations. Brosvik has held the position of COO at Nashville for 15 years and will assume his new role on August 17th. Since September 2019, USUO has been lead by interim {…}
Utah Opera Artistic Director Christopher McBeth today announced the programming and creative teams for Utah Opera 2020-21 season. Casting details will be announced at a later date. In this upcoming season, Utah Opera will showcase four operas at the Janet Quinney Lawson Capitol Theatre. Wagner’s opera “The Flying Dutchman” will open the season in October 2020, with the premiere on {…}
With 2020 fully underway, opera companies are back in business. For this weekend’s recommendations, we feature a few repertory staples as well as some major new operas from the 21st century. Il barbiere di Siviglia – Canadian Opera Company Starting on Sunday, the Canadian Opera Company is back in business with conductor Speranza Scappucci leading Joan Font’s production of Rossini’s {…}
The Utah Symphony and Utah Opera are set to reveal a number of projects aimed at celebrating the 150th anniversary of the Golden Spike. The Golden Spike was the final spike that joined the rails of y7uAmerica’s First Transcontinental Railroad. There will be a concert with the Mormon Tabernacle on May 10 followed by performances by the Utah Symphony and {…}
Utah Opera has announced its 2019-20 season. The season will open with Verdi’s “La Traviata,” directed by Garnett Bruce, in the newly renovated Janet Quinney Lawson Capitol Theatre. Anya Matanovic will star as Violetta Valéry, alongside Rafael Moras making his Utah Opera debut as Alfredo and Metropolitan Opera-regular Michael Chioldi as Germont. Steven White will conduct. Performance Dates: Oct. 12 {…}
January is more than halfway done and a lot of companies are starting up again with unique performances. This week’s picks center on works composed in the 20th century and beyond, with one exception. Here’s the list (in alphabetical order by company). As One – Alamo City Opera For two nights (Saturday and Sunday), Laura Kaminsky, Mark Campbell, and Kimberly {…}