(Credit: Hilary Scott) The Boston Symphony Orchestra and Tanglewood have announced new attendance rules for the upcoming 2021 festival season. In a press release, the organizations noted that per new safety issuances by the Centers for Disease Control and Prevention, there will be a limit of 9,000 audience members at all events; this represents 50 percent of the usual capacity {…}
The Boston Symphony Orchestra appointed Gail Samuel as its first female Julian and Eunice Cohen President and Chief Executive Officer. The appointment will be finalized on June 21. Upon Samuel’s installation, she will be the eighth president of the 140-year-old renowned music organization. Samuel will oversee the BSO, the Boston Pops, and Tanglewood and tasked with leading key initiatives to {…}
The Boston Symphony Orchestra has announced that, due to the ongoing coronavirus, its famous Tanglewood Festival will be held online. In order to best deliver the experience of the festival to audiences at home, the BSO has partnered up with Brightcove Inc., one of the world’s leading video technology platforms. This year’s performances will be streamed from Tanglewood’s Linde Center, {…}
The Tanglewood Festival has announced a 2020 digital online festival. The new festival will offer audio and video showcases including newly created content to be recorded at Tanglewood’s Linde Center in June and July. The series will feature artists and programs of the originally announced 2020 Tanglewood season. Newly created content will feature such artists as Gil Shaham, Emanuel Ax, {…}
(Credit: Hilary Scott) The Tanglewood Music festival has canceled its 2020 festival. In a statement the company announced that all live events from June 19 through August 27 would be canceled due to the coronavirus pandemic. However, the festival noted that there will be online audio and video streams for audiences to enjoy. Boston Symphony Orchestra president Mark Volpe released {…}
Tanglewood has announced its 2020 slate, which is, as per usual, filled with some of the most recognized artists on the planet. For the purposes of this article, we will focus on opera related programming. Angel Blue will make her company debut in the Opening Night at Tanglewood concert alongside the Boston Symphony Orchestra under the musical direction of Ken-David {…}
(Credit: Hilary Scott) Let’s start stating – to me – the obvious. The cast that Tanglewood put together for its first complete performance of a Wagner opera could not reasonably be improved upon. Every voice was stunning in its own way. Every character from the hoary mythos was carefully and movingly delineated. The staging of this opera was simple yet {…}
It’s not often that the weather takes prominence in a review of any concert. But for this Tanglewood concert, on this Saturday night –anniversary of the moon landing! — an exception must be made. Because as much as any other element in the evening’s performances, weather — in this case, record temperatures and devastating humidity – also took center stage. {…}
The Tanglewood Festival has announced its 2019 season. As with other programs of this sort, we will limit ourselves to the vocal and operatic selections on display. For the full program, click here. Verdi’s Requiem will get a performance with Kristine Opolais, Oksana Volkova, Jonathan Tetelman, and Ryan Speedo Green. Andris Nelsons will conduct the Boston Symphony Orchestra. Performance Date: {…}
Tanglewood has announced that its star-studded gala concert, celebrating Leonard Bernstein’s centennial on August 25, 2018, will be recorded by Great Performances and broadcast on PBS, bringing this event to audiences in their homes throughout America, Europe, and Asia on December 28, 2018. The concert will be hosted by Audra McDonald and directed by James Darrah; among the names appearing {…}
Some reading this review — perhaps many — have never been to the Tanglewood Music Festival in Lenox, Massachusetts. Much more than the summer home of the Boston Symphony Orchestra, Tanglewood is a magical place; so many thrilling, historical performances and moments have taken place here. And I’ve been lucky to attend many of those performances, such as Seiji Ozawa’s {…}