BCN Classics has announced its 2026-27 season. Here are the vocal performances. Gustavo Dudamel conducts the New York Philharmonic and the Orfeó Català in music by John Adams, Zosha Di Castri, and Prokófiev. Performance Date: Oct. 12, 2026 Lucy Crowe, Carlo Vistoli, Lunga Eric Hallam and Ashley Riches join Le Concert d’Astrée and Emmanuelle Haïm for Handel’s “Messiah.” Performance Date: Dec. {…}
The Teatro Colón de Buenos Aires has announces its 2026 season. Opera Leoncavallo’s “Pagliacci“ and Mascagni’s “Cavalleria rusticana“ will open the season with a cast that includes Yonghoon Lee, Denis Pivnitsky, Alejandro Roy, María Belén Rivarola, Fabián Veloz, Youngjun Park, Diego Bento, Liudmyla Monastyrska, and Mónica Ferracani. Beatrice Venezi conducts the production by Hugo de Ana. Performance Dates: April 14-24, 2026 Oscar Strasnoy’s “Dementia” will make {…}
(Photo credit: Gisela Schenker) L’Auditori presents its 2025-26 season, “Renaixements.” For the purpose of this article only vocal works are included. Beethoven’s “Symphony” No. 9 stars Joyce El-Khoury, Silvia Tro Santafé, Elgan Llyr Thomas, and Davone Tines. They are joined by the Orfeó Català and the Barcelona and National Symphony Orchestra of Catalonia (OBC) under the direction of Ludovic Morlot. {…}
Back in 2022, the Donizetti Festival in Bergamo featured a production of Donizetti’s “La Favorite” using a new critical French edition and with no cuts (including the whole ballet). For that occasion Ricardo Frizza was the conductor. Now, a few years later, ABAO Bilbao is bringing back that same Bergamo production, in coproduction with Opéra National de Bordeaux, as well {…}
The Premios Ópera XXI have announced its 2024 winners which will be honored on June 17, 2025 at the Palau de Les Arts de Valencia. The winner of Best Music Direction went to Pablo Heras-Casado for “Die Meistersinger von Nürnberg” at the Teatro Real while the Best Director award was given to Calixto Bieito for “Lear” by Aribert Reimann at {…}
The Bilbao Opera is set to Present Donizetti’s “La Favorite.” The work will be presented from Feb. 15 to 24, 2025 at the Euskalduna Bilbao and will star Silvia Tro Santafé in the role of Leonore, alongside Ismael Jordi as Fernand, Vladimir Stoyanov as Alphonse XI, and Simón Orfila as Balthazar. The cast is rounded out by tenor Mikeldi Atxalandabaso {…}
(Credit: Javier del Real) There are very few times when an operatic miracle of artistic excellence happens inside an opera house. But attending the performance of soprano Yolanda Auyanet as Maria Stuarda on the night of December 19th was one of those. She is no stranger to the Teatro Real theatre and bel canto repertoire, including her performances of Il Pirata {…}
The ADDA Simfònica de Alicante has announced its 2024-25 season. Here is a look at the vocal performances. Josep Vincent conducts “Carmina Burana” with soloists Sabrina Gardez, Rafael Quirant, and Milan Perisic. Performance Date: Dec. 1, 2024 Krešimir Stražanac, Hannah Morrison, Maarten Engeltjes, and Krystian Adam headline Händel’s “Messiah” with Frieder Bernius conducting. Performance Date: Dec. 20, 2024 Olivier Stech {…}
Palau de les Arts in Valencia has announced its 2024-25 season. Opera Gorges Ocloo’s “The Golden Stool” will star Nobulumko Mngxekeza-Nziramasanga and Nonkululeko Nkwinti. Performance Dates: Sept. 19, 2024 Lisette Oropesa sings the title role of Massenet’s “Manon” with Carles Pachon and Charles Castronovo. James Gaffigan conducts the production by Vincent Huguet. Performance Dates: Oct. 3-15, 2024 Elena Stikhina, Piero {…}
La Monnaie de Munt has announced the 2024-25 season. Opera Wagner’s “Siegfried” will star Magnus Vigilius, Peter Hoare, Gábor Bretz, Scott Hendricks, Wilhelm Schwinghammer, Ingela Brimberg, Nora Gubisch, and Liv Redpath. Alain Altinoglu conducts Pierre Audi’s production. Performance Dates: Sept. 11-Oct. 4, 2024 Kris Defoort’s “The Time of Our Singing ” will star Mark S. Doss, Claron Mcfadden, Simon Bailey, Levy {…}
In the second cast of the Teatro Real de Madrid’s “Medea,” Saioa Hernandez proved a revelation. Her dramatic instrument with a bright dark timbre, her expansive vibrato, her thunderous high register, her sonorous low register in chest voice, and her fluid vocal line make her ideal for this role. Medea’s writing is mostly central, we could even say that it {…}