For many artists, Verdi’s operas are the supreme pinnacle that they work towards. Getting there and being one of the foremost interpreters of his work often requires tremendous technique skill, but also great artistic maturity. For tenor Enea Scala, Verdi has always been a dream from the start of his career. While he has focused on the Bel Canto repertoire for {…}
Moving from Bel canto to Verdi is a common thread for most young singers. Verdi is the dream as his works are some of the masterworks of the canon. For Enea Scala, the dream of singing Verdi is coming true as he starts to take on his third opera by the composer. After singing Alfredo in “La Traviata” and Fenton {…}
The great Italian baritone Leo Nucci, who is already an opera legend, made history at the Palau de les Arts in Valencia, giving the first encore ever at the theatre by repeating the end of the duo “Si, Vendetta,” which closes the Act Two of “Rigoletto.” That alone made it a memorable evening. But it was made all the more {…}
Collectio Musicorum (“Collection of Music”) is set to present highlights from Verdi’s “Rigoletto” and explore the many sounds behind the masterpiece. The opera, which was composed in 1850 was based on Victor Hugo’s “Le Roi S’Amuse” and the title character in Rigoletto was based on a real jester, Nicolas Ferrial, called Triboulet who lived from 1479 to 1536. In this concert, {…}
The production of sound in opera has always been acoustic in nature, with the exception of a handful of contemporary operas which have specific instructions from the composer, Natural sounds produced by voices and instruments are untouched and vocal technique accounts for the ability to project in a concert hall. In modern times, new technology has introduced the possibility of {…}
Verdi’s “Rigoletto” will get the live stream treatment at the Vienna State Opera on May 9, 2019. But there will a nice twist for audiences. Joseph Calleja will take on the role of the villainous Duke of Mantua with Andrea Carroll as Gilda. Christopher Maltman will interpret the title role with Jongmin and Nadia Krasteva as Sparafucile and Maddalena, respectively. {…}
On May 4, 2019, George Gagnidze will celebrate his 100th performance in Verdi’s “Rigoletto” at the Metropolitan Opera. Rigoletto has become George Gagnidze’s signature role, having performed it in his career since the very beginning. “Rigoletto has been a key to success right from the beginning of my career and I owe him so much”, says the Georgian baritone. “In {…}
On the evening of April 26, 2019, guests excitedly filed into the Metropolitan Opera’s grand auditorium, eager to experience Verdi’s masterpiece “Rigoletto.” Returning to the stage for its second run of performances this season with a new principal cast, Michael Mayer’s production sets the tragic opera in Las Vegas in the 1960s. With the audience seated and Maestro Nicola Luisotti standing ready {…}
The Nashville Opera has announced its 2019-20 season which will feature four operas. The season opens with Puccini’s “Madama Butterfly,” featuring soprano Elizabeth Caballero as Cio-Cio San. The performances are set to take place at TPAC Jackson Hall. Performance Dates: Oct. 10, 12, 2019 In time for the holidays, the company will produce “Amahl and the Night Visitors,” with two {…}
On February 12, 2019, the Metropolitan Opera opened this season’s run of Giuseppe Verdi’s “Rigoletto.” Michael Mayer’s production transports this tragedy to 1960s Las Vegas, a setting which merges together the glamor of high society with its seedy underbelly, just as many of the characters exhibit traits of both nobility as well as depravity. Despite the connections one can rightfully {…}
Verdi’s “Rigoletto” returns to the Metropolitan Opera on Feb. 12 with a cast that includes a number of major superstars, as well as a major debutante. Here is a look at the cast for the opera. Title Character Roberto Frontali will hit a major Met Opera milestone during the February/March run of performances – he will achieve his 100th Met Opera {…}