Diana Damrau, Renée Fleming & Nina Stemme Headline Musikverein Wien’s 2019-20 Season

Musikverein Wien has announced its 2019-20 season. For the purposes of this article, we will focus on vocal performances. Martin Haselböck will lead the Orchester Wiener Akademie in a performance of various works by Franz Schubert as well as Antonín Dvořák’s Symphony No. 4 in D Minor. Baritone Thomas Hampson will be featured. Performance Date: Oct. 13, 2019 Bass Günther Groissböck and {…}

Anita Rachvelshvili, Iestyn Davies & Renée Fleming Highlight Chicago Symphony Orchestra’s 2019-20 Season

The Chicago Symphony Orchestra has announced its 2019-20 season, featuring a number of important soloists and important works. For this season announcement, we will only focus on vocal showcases or programs related to opera in any way. Here is a look. Yannick Nezet-Seguin leads the Orchestre Métropolitain de Montréal in Bruckner’s Symphony No. 4 as well as Joyce DiDonato in {…}

Chicago Symphony Orchestra 2017-18 Review: Sublime Schubert & DeShong Debut Mark Enthralling Evening

Celebrating 60 years of the Chicago Symphony Chorus was no easy task given the unit’s reputation for quality. That anniversary was marked this past weekend with a program highlighted by the Chicago Symphony Orchestra and Chorus putting forth an absolutely sublime Schubert Mass in E-Flat major. The three-part program began with maestro Riccardo Muti and the CSO performing the overture {…}

Making a Big Return – Elizabeth DeShong on ‘Semiramide,’ Riccardo Muti & Future Repertoire

At the start of Rossini’s “Semiramide,” Arsace returns to Babylon after a long time away. For years, Elizabeth DeShong has been a fixture at the Metropolitan Opera singing in such operas as “La Rondine,” “Aida,” “The Enchanted Island,” “A Midsummer Night’s Dream,” “Madama Butterfly,” and “Lulu.” Then after the 2015-16 season, she did not return until now to take on {…}

Salzburg Festival 2017 Review – Aida: Anna Netrebko, Riccardo Muti Create Glorious Music In Light of Pointless Production

Salzburg Festival is about luxury. The audience is filled with celebrities, the casts are filled with stars, and the (relatively) higher priced tickets, all show its luxury. Yet, what defines its luxury, for me, is its long rehearsal period. When Anna Netrebko said in an interview how she wanted more rehearsals and Riccardo Muti said “preparing an opera the way {…}