(Credits: Michael Cooper / Dario Acosta / Sonya Yoncheva official website / © Gregor Hohenberg / Gregor Hohenberg / Sony Music Entertainment) The Teatro alla Scala in Milan has announced its 2021-22 season, featuring some of the greatest performers in the world. Here is the full slate. Operas Anna Netrebko and Luca Salsi open the season in Verdi‘s “Macbeth” in {…}
The English National Opera has announced its 2021-22 Season featuring new productions of classic and modern masterpieces. Natalya Romaniw, David Junghoon Kim, Roland Wood, and William Thomas star in Puccini’s “Tosca” in a semi-staged production conducted by Richard Farnes. Performance Dates: August 27 & 29, 2021 Carolyn Kuan conducts Glass’ “Satyagraha” with Sean Panikkar, Musa Ngqungwana, William Thomas, Sarah Pring, Felicity Buckland, Gabriella Cassidy, James Cleverton, and Ross Ramgobin. {…}
(Photo Credits: In Art Management / © Jiyang Chen / Gillian Riesen / © Raphael Brand / LA Opera official website / © Jean-Baptiste Millot) La Monnaie De Munt has announced its new 2021-22 season, consisting of 12 operas and seven recitals. Here is the full slate. Operas Kris Defoort and Peter van Kraaij’s opera “The time of our singing” {…}
Even though we are slowly inching back to real-world performances, streaming in the opera world is going as strong as ever. In this week’s edition of the Top 10 you will see your fair share of operatic repertory as well as some unique recital experiences. Atilla – OperaVision (NOW) Operavision will stream a 2011 performance of the early Verdi opera {…}
On March 26, 2021, LA Opera, in collaboration with the African American Art Song Alliance, Aural Compass Projects, Black Opera Alliance, National Association of Negro Musicians, and the Philadelphia Dance Company, will present the online premiere of Jeremy Adonis’ digital short film, “Brown Sounds.” The work is a celebration of the Black experience which blends poetry, music, and dance. Featuring {…}
The Schubert Club and The Lied Society have announced a virtual concert starring mezzo-soprano Raehann Bryce-Davis. The half-hour showcase, which will take place on March 16, 2021, will give “an intimate look at one of the opera world’s fastest rising stars through candid footage layered throughout the performance.” The program will be unveiled at a later date. Bryce-Davis, a 2018 recipient {…}
The Glimmerglass Festival has announced that it will be moving forward with its 2021 season. The upstate New York festival, which typically performs in its intimate, 915-seat theater, will take place outdoors on a new stage built on the Festival grounds. In a press release Francesca Zambello, Festival Artistic & General Director said, “We have re-imagined the Glimmerglass experience for {…}
On October 18 at 4:00 p.m. CT, The Lied Society will broadcast the world premiere of Pulitzer Prize winning composer Anthony Davis’ “We Call the Roll,” a work commissioned by the Society in partnership with the Schubert Club. The broadcast will stream live on The Lied Society’s website and hosted by Trilloquy podcast host Garrett McQueen. Composer Davis is known {…}
In March Raehann Bryce-Davis was in Los Angeles performing “Roberto Devereux” when the COVID-19 Pandemic struck and all performances were canceled. The world changed and Bryce-Davis was left without work. The mezzo-soprano, who is one of today’s leading rising stars in the opera world, was forced to rethink her career like many other singers. In the midst of the pandemic, {…}
On Tuesday, August 25, Mezzo-soprano Raehann Bryce-Davis released her new music video “To the Afflicted” (“All’afflitto è dolce il pianto” from Donizetti’s “Roberto Devereux”). The video features pianist Esme Wong and is co-directed by Bryce-Davis and Jon Goff, and is a reflection of Raehann’s personal journey in the midst of the pandemic, which, in this time of cancellations and the {…}
Over 100 singers came together for a video performance of “Light Shall Lift Us,” a work by librettist Mark Campbell and composer Paul Moravec. The duo, which has worked together on “The Shining” proposed the idea to Marc Scorca of Opera America, who embraced the idea and helped put together the 107 artists who would eventually record their individual parts {…}