Sydney Chamber Opera and Carriageworks, in association with Omega Ensemble present the world premiere of “Aphrodite” by Nico Muhly and Laura Lethlean. Sopranos Jessica O’Donoghue and Meechot Marrero star in the production. They are joined by the musicians of Omega Ensemble led by Jack Symonds. Alexander Berlage directs. The opera is approximately 70 minutes long with no intermission. The opera {…}
The University Musical Society at the University of Michigan is set to present Renée Fleming and Inon Barnatan in concert. The recital, which is set to take place on Sept. 28, 2023 at Hill Auditorium in Ann Arbor, will be based around the soprano’s 2023 Grammy Award-winning recording “Voice of Nature: The Anthropocene.” The showcase will feature music by Caroline {…}
(Written by: James Bash) OrpheusPDX, a new company founded by Christopher Mattaliano in Portland, Oregon, concluded its second season with a brilliant and thought-provoking production of Nico Muhly’s “Dark Sisters,” at Lincoln Hall on August 24. “Dark Sisters” explores and exposes relationships in a polygamous sect and reveals the courage of one sister-wife to leave it. With Stephen Karam’s libretto {…}
Photo Credit: Curtis Brown Santa Fe Opera’s production of Nico Muhly’s “Orfeo” will be available for broadcast on Classical Public Radio KHFM for unlimited streaming from August 29 to Sept. 29, 2023. Muhly’s new orchestration of Monteverdi’s opera received its premiere on July 29, 2023. This radio broadcast features tenor Rolando Villazón in the title role, with Lauren Snouffer and {…}
(Photo credit: Heidi Solander) Back on July 29, Santa Fe Opera premiered a new production of Monteverdi’s seminal “Orfeo,” directed by Yuval Sharon. And while that in and of itself makes for a compelling and unique story, adding a unique layer to the experience was the fact that this production also features a new orchestration of the work by “the {…}
(Photo Credit: Kevin Condon) Death of Classical (DOC) and The Alexander S. Onassis Benefit Foundation presented “Waiting for the Barbarians,” a one-night-only concert part of “Archive of Desire: A Festival Inspired by the Poet C.P. Cavafy” curated by prolific composer Paola Prestini and under the creative direction of Afroditi Panagiotakou. This extraordinary gathering took place on May 2nd, 2023 at {…}
ArtDesk Magazine has announced its inaugural ArtDesk 100, comprising artists from across the creative disciplines. Published to mark the magazine’s 10th anniversary, the Art Desk 100 celebrates the next generation of artists and their future as leaders in their respective fields. “Everyone included in the ARTDESK 100 has clear, demonstrated bona fides to merit inclusion on our inaugural list,” said {…}
San Francisco’s Presidio Theatre has announced its 2023 spring season. For the purposes of this article, our focus will be solely on vocal and operatic performances. The Lamplighters will present “By Georges! A Day in the Life of the Legendary Chevalier de St. Georges.” The showcase is the company’s first production from its operetta commission project. Performance Date: May 6, {…}
Isaac Mizrahi, Nico Muhly, and John Heginbotham’s new work “Third Bird” inspired by “Peter and the Wolf” will make its world premiere at the Guggenheim Museum as part of its “Work & Process” series. While paying homage to “Peter and the Wolf,” the storyline of “Third Bird” follows a flying bluebird, a swimming duck, and a running ostrich and explores {…}
Credit: (Lisa Kholer) The Grammy Award-winning ensemble Chanticleer will premiere “Beauty of the Day” by Nico Muhly on April 13 at Philadelphia’s Kimmel Center Cultural Campus. The work was commissioned by the vocal ensemble and was written to be a collaborative piece for a large SATB choir and pipe organ. For this reason, at the premiere Chanticleer will be joined {…}
(Credit: Ken Howard Metropolitan Opera) “Page to Opera Stage” looks at stories – real-life or fiction, old and new – that have inspired operas, and the ways these narratives have been edited and dramatised to fit a new medium. This month, we head to the 20th and 21st century with Winston Graham’s quasi-Freudian psychological thriller “Marnie”, adapted into an opera {…}