(Photo: Curtis Perry, Canada’s National Arts Centre Orchestra) Canada’s National Arts Centre Orchestra presented a semi-staged production of Puccini’s “Tosca,” in Salle Southam Hall, on Sept. 10, 2025 in celebration of this year’s season opening, marking the tenth season for Alexander Shelley as Music Director and Conductor. The evening was full of exciting musical moments by the orchestra and leading {…}
(Photo credit: Hilary Scott) Last weekend, Symphony Hall was, on a generous account, less than two-thirds full. If you asked anyone why they were there, nine out of ten people would have said: “to listen to Bártok’s Castle.” The few others would be admirers of Alisa Weilerstein, who played the concert’s first half: Haydn’s c-major cello concerto. Chiaroscuro programing. Bartók’s {…}
The Orchestre Métropolitain de Montreal has announced its 2022-23 season featuring a diverse programing and international performers from around the world. Here is a look at the Vocal Highlights. Yannick Nézet-Séguin leads music by Elisapie Isaac and Rave. Performance Date: Sept. 25, 2022 Lina Gonzalez-Granados conducts Sepideh Raissadat, Naomi Sato, Zhongxi Wu, and Sharon Azrieli in a program entitled Latin Waves. Performance Dates: Nov. {…}
(Credit: Kristin Hoebermann) The Bard College Conservatory of Music is set to present Strauss’ “Salome.” Adapted from Oscar Wilde’s one-act play, “Salome” depicts the biblical story of Salome, the Judean princess who demanded, and obtained, the head of St. John the Baptist. Bard Visiting Associate Professor of Music Peter Laki writes that the first performance of “Salome,” given in Dresden {…}
PBS has announced that it will start broadcasting the Metropolitan Opera’s performance of “Eurydice” on March 6, 2022. The opera by Matthew Auction and Sarah Ruhl will reach the New York metro area on Sunday, March 13, 2022 at 12 p.m. EST. The showcase stars Erin Morley, Joshua Hopkins, Jakub Józef Orlinski, Nathan Berg, and Barry Banks with Yannick Nézet-Séguin {…}
(Photo: Marty Sohl / Met Opera) The Met Opera’s Live in HD series for the 2021-22 season continues on Saturday, Dec. 4, 2021 with a transmission of “Eurydice.” The broadcast, which kicks off at 12:55 p.m. Eastern time, is conducted by Yannick Nézet-Séguin and stars Erin Morley, Joshua Hopkins, Barry Banks, Jakub Josef Orlinski, and Nathan Berg. Of the opening {…}
(Credit: Marty Sohl / Met Opera) Let’s cut to the chase. The Orpheus story is one of the most famous in all of Greek mythology. A musician loses his wife, creates glorious music that moves the gods, and gets a chance to win her back. In the world of opera, this particular story has unsurprisingly been the inspiration for many {…}
(Credit: © Jag Gundu) The Toronto Symphony Orchestra has won the JUNO Award for Best Classical Album: Vocal or Choral for its recording of Massenet’s “Thaïs.” The recording stars Joshua Hopkins, Andrew Staples, Nathan Berg, Liv Redpath, Andrea Ludwig, Emilia Boteva, and Neil Aronoff. Sir Andrew Davis led the Toronto Symphony Orchestra with Jonathan Crow leading the Toronto Mendelssohn Choir. {…}
The Theater Basel has announced its 2021-22 season. For the purpose of this article, we will focus on opera productions only. Here is a look: Mozart‘s singspiel “Die Zauberflöte” will open the season. The opera stars Kai Kluge and Alex Banfield in the role of Tamino, Kali Hardwick as Pamina, Rainelle Krause as Die Königin der Nacht, and Patrick Zielke {…}
This week audiences can two Handel operas performed by some of the greatest baroque specialists. There is also a new recoding of Bizet’s “Carmen” featuring one of great interpreters of her generation. Rodelinda Handel’s 1725 hit opera is released with The English Concert and artistic director Harry Bicket. Lucy Crowe and Iestyn Davies are the devoted partners Rodelinda and Bertarido, {…}
On November 14, 2020 Minnesota Opera will present Wagner’s “Das Rheingold” in a new, 3D format which will be available to stream online. This digital experience adapts the company’s 2016 production with the help of production company Sweet Sadie. “The sheer size and scope of ‘Das Rheingold’ presents a massive challenge for any opera company,” said President and General Director {…}