The Dutch National Opera is set to open its 2025-26 season with Puccini’s “Tosca.” The production by Barrie Kosky is inspired by Film Noir and will showcase Nathalie Stutzmann, who makes her house debut as conductor. When Kosky’s production first opened in 2022, critics raved and said, “It is in these psychologically highly-charged interactions where Kosky’s film noir approach is most {…}
The London Symphony Orchestra announces its 2025-26 tour. This article only features vocal works. Tenor Ian Bostridge performs in “Britten, Vaughan Williams & Elgar.” Sir Antonio Pappano conducts. Performance Date: August 13, 2025 (Edinburgh International Festival) Soprano Natalya Romaniw and baritone Will Liverman solo in Vaughan Williams’s “A Sea Symphony.” They are joined by the Edinburgh Festival Chorus under the {…}
The Orchestra and Chorus of the Accademia di Santa Cecilia have announced its 2025-26 season. Concerts Daniel Harding conducts a staged version of Wagner’s “Die Walküre” by Vincent Huguet. The opera will star Michael Volle, Miina‐Liisa Värelä, Vida Miknevičiūtė, Jamez McCorkle, Stephen Milling, and Okka von der Damerau. Performance Dates: Oct. 23-27, 2025 Antonio Pappano conducts Natalya Romaniw, Szilvia Vörös, {…}
Glyndebourne Festival has announced its 2026 season. New Productions Puccini’s “Tosca” will be directed by Ted Huffman with two casts. Robin Ticciati conducts the first run with a cast that includes Caitlin Gotimer as Floria Tosca, Matteo Lippi as Mario Cavaradossi, and Vladislav Sulimsky as Baron Scarpia. Jordan de Souza conducts the second cast that includes Natalya Romaniw as Floria {…}
The City of Birmingham Symphony Orchestra has announced its 2025-26 Season. Here is a look at the vocal highlights. Kazuki Yamada conducts Elgar’s “The Dream of Gerontius” with soloists Jess Dandy, Roderick Williams and David Butt Philip. Performance Date: Sept. 17, 2025 Osmo Vanka conducts a program of Sibelius and Shostakovich. Helena Juntunen is the soloist. Performance Date: Nov. 19, {…}
The Finnish National Opera has announced its 2025-26 season. Premieres Engelbert Humperdinck’s “Hansel and Gretel” will get a new production by Richard Jones and will be presented for the first time since 1996. The new Finnish translation by Mikko Koivusalo will star Tommi Hakala, Samuli Takkula, Tuija Knihtilä, Maiju Vaahtoluoto, Elli Vallinoja, Polina Liiv, Suvi Väyrynen, Emma Mustaniemi, Dan Karlström, and Roland Liiv. Antony Hermus conducts. Performance Dates: Oct. {…}
The Dutch National Opera has announce dits 2025-26 season. Elena Stikhina and Natalya Romaniw star in Puccini’s “Tosca” with Joshua Guerrero and Gevorg Hakobyan. Nathalie Stutzmann conducts. Performance Dates: Sept. 3-25, 2025 “Operetta Land” will be performed featuring music by Johann Strauss II, Jacques Offenbach, and Arthur Sullivan. Steef de Jong, Raoul Stefani, Marc Pantus, Laetitia Gerards, Elenora Hu, Frederik {…}
(Photo: Marc Brenner) Mark-Anthony Turnage is among the front rank of living British opera composers. With “Festen”, which opened at The Royal Opera last week, he now has five to his name, with a sixth to follow at Glyndebourne this autumn in the form of “The Railway Children” – a less harrowing subject than this adaptation of Thomas Vinterberg’s 1995 {…}
The Royal Ballet And Opera has announced a cast change for its production of “Die Walküre.” The company said, “Natalya Romaniw will be making her role debut as Sieglinde replacing Lise Davidsen who is expecting her first two children.” Romaniw has performed at the Royal Opera House on numerous occasions in “Tosca.” She has also performed at the Welsh National {…}
Soprano Natalya Romaniw has signed with Sempre Artists for general management and with InArt for European Management. The soprano recently sang “Tosca” at the Royal Ballet and Opera and has also performed the role at Staatsoper Hamburg, Oper Frankfurt, and Deutsche Oper Berlin. Romaniw is set to perform in the world premiere of “Festen” in London and will also make {…}
(Photo © [2024] Clive Barda) Puccini’s “Tosca” is, in effect, a historical 18th Century fable as seen through 19th Century eyes; still resonating here in the 21st Century purely because its story of love over politics – played out by Tosca, an opera singer; her lover the heroic painter Cavaradossi; and the thoroughly unpleasant dictator Baron Scarpia – combine to {…}