Shaping the Future – Met Prompter & IVAI Founder Joan Dornemann On Her Career & Nurturing Young Operatic Talent

The opera stage is replete with people both visible and invisible. You have the singers, the orchestra, and the conductor; arguably the most visible participants in any performance. You have your technician and other stagehands working to keep the lighting and other aspects of the production moving along swimmingly. You’ve got someone coordinating all of that. And then hidden onstage {…}

Metropolitan Opera 2017-18 Review – Elektra: Yannick Nézet-Séguin Steals The Show In Strauss’ Most Violent Work

Richard Strauss’ “Elektra” returned to the Metropolitan Opera on Thursday, March 1, 2018, in a hotly anticipated revival of Patrice Chéreau’s production. Last time out, the production was a smash hit, its stripped-down sets allowing for the audience to focus on the violent drama put before us. It continues to work in that vein, though its overall stillness might not {…}

Metropolitan Opera 2017-18 Review – Madama Butterfly: Ermonela Jaho Triumphs In Tragic Portrayal Of Puccini’s Heroine

Puccini’s “Madama Butterfly” has been a staple of the repertoire for years and at the Metropolitan Opera, it has had somewhat of a renaissance ever since Anthony Minghella’s inventive production came opened in 2006. The opera is really a showcase for a great soprano who can bring forth intense emotions and who can captivate an audience with the lead character’s suffering. For this {…}

Metropolitan Opera 2017-18 Preview: Hildegard Behrens, Nina Stemme, Birgit Nilsson & The Met’s 22 ‘Elektra’ Interpreters

When Strauss’ “Elektra” returns to the stage on Thursday, March 1 at the Metropolitan Opera, it will take part 109th performance with the company. The role is often considered one of the most challenging in the repertoire, if not the most difficult. The soprano is tasked with a lengthy evening with barely any rest and no intermission to aid her {…}