There will be a different maestro in the pit at tonight’s “Eugene Onegin” at the Metropolitan Opera. Joel Revzen will conduct the performance in the absence of Robin Ticciati, who is ill. Ticciati has conducted the entire run to this point, with OperaWire remarking that his conducting last Friday “wasn’t a revelatory account of Tchaikovsky’s score, but every note was {…}
Friday night at the Metropolitan Opera was the last time that audiences would get a chance to see Willy Decker’s production of Verdi’s “La Traviata.” The powerful vision that first came to see the light of the world in Salzburg over 10 years ago is in and of itself a long goodbye, an intricate look at how a woman says {…}
The Easter and Passover holidays seem to have frozen up the opera world this weekend with only a handful of performances featured around the country. It’s a major turnaround from last weekend when a dozen companies were putting on a show. The Metropolitan Opera continues its unstoppable season with three performances. Friday is the final hurrah for Willy Decker’s production {…}
On May 7, Plácido Domingo returns to great performances on PBS. The tenor-turned-baritone stars in Verdi’s “Nabucco” from the Metropolitan Opera’s recent revival of the composer’s early masterwork. Domingo is joined by an exceptional cast that includes the dramatic soprano Liudmyla Monastyrska as Abigaille and Dmitry Belosselskiy as Zaccaria. Jamie Barton stars as Fenena while Russell Thomas is Ismaele. James {…}
Olga Peretyatko will sing the role of Violetta in Verdi’s “La Traviata” tonight at the Metropolitan Opera. The Met announced the news via Twitter. According to the Met press office, Peretyatko would fill in for Carmen Giannattasio who is ill. It will mark Peretyatko’s Met role debut in “La Traviata.” She has performed the role of Violetta at Baden-Baden, St. {…}
When she steps on stage this Thursday to take her final run of Richard Strauss’ “Der Rosenkavalier,” Renée Fleming will have closed a door to one of the roles that was at the core of her legacy at the Metropolitan Opera. The new Robert Carsen Production has a star-studded cast with the likes of Elina Garanca, Matthew Polenzani, Erin Morley {…}
Even though the Metropolitan Opera’s 2016-17 season ends in mid-May, the Company is not completely closed for business this summer. In fact, the Met will continue its 2017 Summer Recital Series, now in its ninth year, with six free concerts all across the five boroughs featuring some of the world’s greatest singers. First up are two recitals on June 12 {…}
Tchaikovsky’s “Eugene Onegin” opens with a conversation between Madame Larina and Filippyevna remarking on arranged marriages and their overall lack of choice in the matter. A few scenes later, Filippyevna jokingly informs her beloved Tatiana that in her old times, the thought of love was nonsense for a young girl and then narrates her marriage at age 13 or 14 {…}
When you look at the body of work of the great tenor Franco Corelli, you might well imagine that Ponchielli’s “La Gioconda” to be a prominent role in his repertoire. The tenor role of Enzo is substantial and his dramatic weight is suitable to Corelli’s vocal talents. And you would be right, to a certain extent. But the tenor, whose {…}
It is going to be a busy opera weekend around the US with a plethora of companies, both large and small, giving new productions and old. Opera Memphis will showcase three works throughout the weekend including Peter Hilliard’s “Blue Viola” on Friday and Saturday, Jake Heggie’s “Three Decembers” on Saturday,” and John Musto’s “Later the Same Evening” on Saturday. Palm {…}
Renée Fleming is not retiring from the opera stage after all. A day ago the New York Times published an article that noted that Fleming would be saying goodbye to the opera stage with her final performance of “Der Rosenkavalier” this season. However, the NPR now reveals new information. According to a recent article, the diva will, in fact, look for {…}