(Photo: Zani-Casadio) In his program notes, the director, Pier Luigi Pizzi, writing about “Il Ritorno di Ulisse in Patria,” stated that “the opera speaks for itself,” adding, “we must not induce or force its interpretation… It is up to the audience to confront it, to think about it, and to decide for themselves whether or not it is worthwhile.” Even {…}
Programming for the 2024 Innsbruck Festival of Early Music has been announced. This article only features vocal performances. First up is a workshop for the upcoming performances of Giacomelli’s “Cesare in Egitto.” Soloists include Arianna Vendittelli, Emőke Barath, Filippo Mineccia, Margherita Maria Sala, Valerio Contaldo, and Federico Fiorio. Ottavio Dantone conducts the Accademia Bizantina. Performance Date: July 27, 2024 (Tyrolean {…}
(Photo: © Dominique Jaussein) France is currently in the grip of Olympic fever. Although Paris is the official site of the games, every corner of the country is feeling the effects of the event, even in the cultural domain. The Opéra de Nice has thus declared their 2023-24 season to be, at least in part, devoted to the theme of {…}
(Photo: Birgit Gufler) After 13 years in the post, Alessandro De Marchi brings his tenure as the artistic director of the Innsbruck Festival of Early Music to a close with a program dominated by the Venetian composer Antonio Vivaldi. Not only do many of the festival’s events feature his music, including the festival’s closing concert “Lieto Fine,” but all three {…}
(Photo: Zani-Casadio) In the space of three days, Ravenna’s Teatro Tradizione Dante Alighieri performed two operas, both of which involved trips into the afterlife. The first, “Il Viaggio di G.Mastorna” was a contemporary opera by Matteo D’Amico in which the hero Mastorna is killed in an airplane crash and condemned to journey through a modern-day purgatory in search of peace. {…}
(Photo: Birgit Gufler) Bernardo Pasquini (1637 – 1710) is not a particularly well-known name in opera circles, yet in his day he was considered the foremost composer of dramatic works for the stage in Rome, with his high point coming in the 1670s and 80s, after which he was slowly displaced by, amongst others, Alessandro Scarlatti. As well as 15 {…}
The Innsbruck Festival of Early Music has announced its 2021 season, which includes over 50 events between July 13 through August 29, 2021. For the purposes of this article, our focus will be solely on vocal and operatic performances. Operas It all starts with Pasquini’s “Idalma.” The showcase will star Arianna Vendittelli, Anita Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan {…}