(Credit: Rosellina Garbo) The Teatro Massimo di Palermo has released a recording of “Manon Lescaut.” The concert performance, which took place right before the theater closed, showcases Jader Bignamini conducting Anna Pirozzi in the title role, Yusif Eyvazov as Des Grieux, Alessio Arduini as Lescaut, and Luca Dall’Amico as Geronte di Ravoir. The recording was supported by YouTube – Google {…}
(Credit: Opus 3 Artists official website) The Office of Her Majesty Queen Elizabeth II has announced the Queen’s Birthday Honours list 2020. Among those honored was General Music Director of the Deutsche Oper Berlin Donald Cameron Runnicles, who has been bestowed with the title of the Knights Bachelor, for services to Music. Donald Runnicles is concurrently the General Music Director {…}
(Credit: © Dario Acosta) The Teatro alla Scala has announced that celebrated Russian soprano Anna Netrebko will return to the stage on Oct. 21, 2020, following a recovery from COVID-19-induced hospitalization. Netrebko will perform a program that includes “Ritorna vincitor” from “Aida,” and “Tu che le vanità” from “Don Carlo” by Verdi; “Suicidio!” from Ponchielli’s “La Gioconda;” “Poveri fiori” from {…}
(Credit: Ray Burmiston) “One voice in a million.” This is the kind of phrase on which legacies, mythologies, histories are built. And it’s the phrase that continues to crop up whenever Norwegian soprano Lise Davidsen enters the operatic conversation. The soprano has definitely played her part in bringing about this idea that her voice is of a unique power. She {…}
(Credit: Steven Pisano) I have always been partial to small and regional opera companies as they struggled to hold the flag high for the art of opera, often in the unlikeliest places. First, it seemed to me those small companies mirrored what was the norm in Europe, with so many of the small towns with their own opera theater and {…}
“Manon Lescaut” opened at the San Francisco Opera in a revival of Olivier Tambosi and Frank Philipp Schlossmann’s production. It was a reminder of many of the opera’s riches: lush musical textures with various orchestral harmonies; the rich exploration of human drama; and the insolence of fate. When Puccini set out to compose his opera on Manon, people chided him {…}
(Credit: Terrence McCarthy/San Francisc Opera) The San Francisco Opera is set to present Puccini’s “Manon Lescaut.” The company will present a revival of director Olivier Tambosi’s production reuniting soprano Lianna Haroutounian and tenor Brian Jagde for role debuts in yet another Puccini opera, after their last appearance together in San Francisco Opera’s 2014 “Tosca.” The stars will be led by former San {…}
(Credit: Photo by Victor Santiago) Soprano María José Siri has canceled her upcoming performances of “Manon Lescaut” at the Deutsche Oper Berlin. The soprano made the announcement via social media, noting that she was struggling with Tracheitis. “Dear friends, due to a strong Tracheitis I had to cancel tonight’s performance of “Manon Lescaut” at the @deutsche_oper Berlin. I am so {…}
Tosca. Mimí. Rodolfo and his bohemian friends. Musetta. Suor Angelica. Manon Lescaut. Gianni Schicchi. Turandot. Cio-Cio San. The list goes on and on when it comes to Puccini’s iconic characters. Each and everyone is crucial to the composer’s output and the way that he gives them each unique voices are a part of the reason for his transcendence. In honor {…}
Giacomo Puccini lived during the age of Verismo, but he couldn’t easily be pinned down to said opera genre. In fact, much like Verdi before him, he was far greater because he defies categorization. Puccini’s works strive for the same exoticism that we find in composers that preceded him and like Verdi’s forays into “Ancient Egypt” or Rossini’s into Algiers {…}
Puccini is undeniably one of those names that will forever be linked with opera. Born on Dec. 22, 1858 (his full name was Giacomo Antonio Domenico Michele Secondo Maria Puccini) in Lucca, Italy, he was set to occupy the position of maestro di cappella after his father’s death. However, he was only six-years-old and unable to occupy the position his {…}