Metropolitan Opera 2016-17 Review – Rusalka: Mary Zimmerman, Kristine Opolais & Company Take Us On Dramatically Rich Journey To Find Operatic Identity

We acknowledge that OperaWire is late to the “Rusalka” party, but here is our review for the performance on Feb. 17, 2017, the fifth performance of this run. Antonín Dvorák’s “Rusalka” is the epitome of a metaphorical operatic identity crisis. The opera, which is a grim version of Hans Christian Andersen’s “The Little Mermaid,” follows the story of a water {…}

Metropolitan Opera Preview 2016-17: Kristine Opolais Set to Enrapture Audiences in ‘Rusalka’

Dvorak’s “Rusalka” makes a much-anticipated return to the Metropolitan Opera this Thursday, Feb. 2 in a brand-new production by noted director Mary Zimmerman. The Director Zimmerman made a splash at the Met with her work on three operas from the Bel Canto three – Donizetti, Rossini and Bellini. Her work in “Lucia di Lammermoor” was universally hailed for gothic style. Her {…}