The Sarasota Opera is set to present Verdi’s “Il Trovatore.” The production, which is set to be presented between March 7 and 29, 2026, will be revived for the first time since 2014. The company has only performed the work twice including in 1993. In a statement Sarasota Opera General Director Richard Russell said, “It is ‘Il Trovatore’s’ music that {…}
(Photo: Marcello Orselli) The seventeenth of Verdi’s twenty-six operas, “Il trovatore” (1853) is considered the archetypal senseless opera, thanks to its convoluted and highly implausible plot. So absurd is its premise that it was used in the Marx Brothers’ “A Night at the Opera” (1935) to elicit laughs. But despite this, “Il trovatore” has remained one of the most popular {…}
A cast member from the Royal Opera House raised a Palestinian flag on stage during the curtain call on July 19, 2025. According to the Telegraph, the cast member was a ‘Queer dance artist,’ Daniel Perry, who took to the flag during the curtain call of the closing night of the Royal Opera House. The BBC reported that the Royal {…}
The Royal Opera House has announced a cast change for its production of “Il Trovatore.” The company said that Marigona Qerkezi will sing the role of Leonora on July 9, 12, 16, and 19, 2025, replacing Eleonora Buratto. In a statement to social media, Qerkezi said, “I will be making my London Royal Opera House debut as Leonora in Giuseppe {…}
(Photo: Michael Poehn) “Il Trovatore” is one of Verdi’s most celebrated operas, forming part of his “popular trilogy” alongside “La Traviata” and “Rigoletto,” all composed in the mid-19th century. Among the three, it is the least innovative, with characters that lack psychological depth or introspection, often conforming to operatic stereotypes—the valiant tenor, the virtuous soprano, and the sinister baritone. A {…}
(©Cory Weaver – LA Opera) Verdi’s “Il Trovatore” has an interesting reputation in opera history. A staple of the opera canon, it is widely beloved for its melodic abundance and as a final homage to the greatness of bel canto. For Verdi it came at a period of major artistic fecundity and stands as the middle opera in a trilogy {…}
Opera Colorado is set to present “Il Trovatore” in Concert on April 26 and May 4. The company will showcase the Verdi masterpiece in a ninety-minute adaptation and will be semi-staged concert with narration. The streamlined version will deliver all the intensity and musical richness of the original in a fast-paced, action-packed format. The cast will include Alexandra LoBianco as {…}
The Royal Ballet and Opera has announced a cast change for its March 13 performance of “Il Trovatore.” The company said that Marina Rebeka will sing the role of Leonora replacing Rachel Willis- Sørensen, who is ill. Rebeka took to her social media and said, “Dear friends, I am so happy to be back in London. Tomorrow I will be {…}
(Photo: ©2025 Camilla Greenwell) I have been somewhat critical in the past of Adele Thomas’ staging of one of Verdi’s most potent works. With its painfully dark tale told in a rather insidious manner, employing the use of creepy props and actors infused with more than a generous helping of Hieronymus Bosch influence; alas, perplexingly, this time round it kind {…}
The Wiener Staatsoper has announced a cast change for its Feb. 11 performance of “Il Trovatore.” The company said that Marina Rebeka will sing the role of Leonora replacing the originally scheduled Maria Agresta. Rebeka has performed the role of Leonora at the Royal Opera House and the Zurich Opera House. She is well known for her Verdi, Puccini, Bellini, {…}
The Metropolitan Opera has announced a cast change for its Dec. 6 performance of “Il Trovatore.” The company said, “For tonight’s performance of Verdi’s ‘Il Trovatore,’ the role of Manrico will be sung by Arturo Chacón-Cruz.” The Mexican tenor will replace the originally scheduled Gwyn Hughes Jones. This performance will mark Chacón-Cruz’s fourth performance at the Met following his surprise {…}