The holidays are in full swing and companies around the world are adapting their particular showcases to suit the festive mood. So for those wondering, yes, there will be a Messiah showcase, some Christmas concerts, a “Christmas” opera, and other performances that are sure to make the Yuletide all the more memorable. So without further ado, here are our top {…}
Sky Arts will stream “Glyndebourne: No Ordinary Summer” this Sunday, Dec. 20, 2020 The documentary focuses on the Glyndebourne Festival’s battle to ensure that the “show could go on.” The film places an emphasis on the company becoming the first UK opera house to perform a full-length opera to a live audience during the pandemic. Audiences will get a chance {…}
Glyndebourne is set to present a number of unique showcases for the holiday season. The company will present “Glyndebourne Christmas Concerts” throughout the early part of December. The showcase will feature the Glyndebourne Chorus and Glyndebourne Tour Orchestra conducted by Aidan Oliver. Performance Dates: Dec. 5-13, 2020 “The Magic Flute” will be presented in a semi-staged 90-minute version. The opera {…}
(Credit: Frances Marshall) “At Home With… ” is a brand new series collaboration between OperaWire and photographer Frances Marshall of Marshall Light Studio, combining original photography with insightful interviews. In this first edition, OperaWire spoke with singer, recording artist, television host, and ambassador of the arts, Danielle de Niese. De Niese lives in the main house at Glyndebourne—home of the {…}
Glyndebourne has announced its fall and winter programming, which wil be presented before a live audience as the organization reopens its doors to the public. Opening the season will be “In the Market for Love,” a new staging of Offenbach’s “Mesdames de la Halle” done by Stephen Plaice, and conducted by Ben Glassberg, Principal Guest Conductor for the Glyndebourne Tour. {…}
(Credits: Rosetta Greek / Lena Kern) The Glyndebourne Festival has announced a full program of the series of socially-distanced indoor performances that will take place in Sussex, starting October 10, 2020. The Festival has announced that it will deploy a set of stringent COVID-19 safety rules, including strict social distancing, using uncirculated air to heat the auditorium, providing sanitizing stations {…}
(Credit: Theatre Projects official website) The Glyndebourne Festival has announced a series of socially-distanced indoor performances that will take place in Sussex, starting October 10, 2020. The autumn season opens with the Glyndebourne’s new production of “In the Market for Love,” a new version of Jacques Offenbach’s “Mesdames de la Halle” by Stephen Plaice. This new production will be followed {…}
(Credit: Tristram Kenton/Glyndebourne) Glyndebourne has announced the final opera that will be featured as part of its virtual festival. Starting on August 30, and running through Sept. 6, 2020, the organization will present “Die Meistersinger von Nürnberg” in a production by Sir David McVicar. Vladimir Jurowski conducts a cast starring Marco Jentzsch, Anna Gabler, Topi Lehtipuu, Alastair Miles, Johannes Martin {…}
Glyndebourne has announced the extension of its summer season for an additional two weeks between August 29 through September 13. The organization will now be offering additional outdoor concerts, including a recital performance by Glyndebourne’s Jerwood Young Artists. This concert will mark the 10th anniversary of the program and will bring together singers who were participants in recent years. The {…}
Glyndebourne has announced the latest operas that it will be streaming as part of its Open House program. First up will be David McVicar’s production of “Giulio Cesare” starring Danielle de Niese as Cleopatra and Sarah Connolly as Cesare. Other cast members include Alexander Ashworth, Patricia Bardon, Angelika Kirchschlager, Rachid Ben Abdeslam, Christophe Dumaux, and Christopher Maltman. William Christie conducts. Streaming {…}
We are reaching an interesting point in the summer for the opera world. Europe has essentially returned to “normalcy” as far as performances go. That also means an increasing lack of online content for operagoers from Europe’s biggest houses. Meanwhile, the rest of the opera world is in a transitional phase. With most companies preparing for digital starts to their {…}