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glass

Jun 4, 2022

Metropolitan Opera 2021-22 Review: Akhnaten

(Photo Credit: Ken Howard / Met Opera) Opera is a way in which we can creatively examine momentous historical shifts and rediscover the possibilities of radical change in an existentially emblematic and exuberant way, especially at the Met. However, what is it that makes this art form balanced enough not to tip over into becoming purposefully deceptive and overly politically {…}

Jan 28, 2021

Opera Meets Film: A Deep Dive Into Anthony Roth Costanzo’s ‘Glass Handel’ (Part Two)

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “Glass {…}

Dec 17, 2020

Opera Meets Film: A Deep Dive Into Anthony Roth Costanzo’s ‘Glass Handel’ (Part One)

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “Glass {…}

Jan 30, 2020

The Crossing to Premiere ‘Knee Plays’

(Credit: Christian Stewart) The Annenberg Center in Philadelphia is set to present “Knee Plays” featuring The Crossing. The performance, which is set for Feb. 21 and 22, 2020, is a newly staged theatrical production that will center on Philip Glass’ “Knee Plays” from his famed “Einstein on the Beach.” The concert will also present David Byrne’s “The Knee Plays” with {…}

Dec 13, 2018

Opera Meets Film: Glass’ ‘Akhnaten’ Emphasizes Circularity In ‘Leviathan’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the Russian film, {…}

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