Opera Meets Film: How ‘O Mio Babbino Caro’ Frames & Contextualizes Major Themes & Relationships in ‘The Last Black Man in San Francisco’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment takes a look at {…}

Metropolitan Opera 2018-19 Preview: The Fascinating Double Bill Pairings of ‘Bluebeard’s Castle’ At the Met

On Thursday, Jan. 24, 2019, the Metropolitan Opera will revive its double bill of “Iolanta” and “Bluebeard’s Castle.” The former work will receive its eighth performance at the Met on Thursday in just its first revival with the company. However, the history of “Bluebeard’s Castle” and its 31 performances with the company is intriguing. The work itself is rather brief {…}