(Photo: Andrea Chemelli) OperaWire recently met up with the Italian soprano Francesca Aspromonte while she was preparing for her role as Servilia at Venice’s Teatro La Fenice. In spring 2026, her new CD, dedicated to the beautiful music of Alessandro Scarlatti, will be released on the Aparté label, in which she will be accompanied by her husband, Boris Begelman, on {…}
(Credit: Michele Crosera) The Teatro La Fenice is set to open its 2025-26 season with a production of Mozart’s “La Clemenza di Tito” on Nov. 20, 2025. The new production will be directed by Paul Curran and conducted by Ivor Bolton. The all-star cast will be led by Daniel Behle, who sings the role of Tito Vespasiano. He will be {…}
(Credit: Natalia Mentugova) The Accademia Filarmonica Romana has announced its 2025-26 season. Here are the vocal performances. Andrea Macinanti, Naho Yokoyama, and Massimo Bacci perform Un Organo per Roma Performance Date: Oct. 4, 2025 at Chiesa di Santa Chiara Cantico dei Cantici will feature De Labyrintho ensemble vocale with music director Walter Testolin. Performance Date: Nov. 6, 2025, at Teatro {…}
(Photo Credit: Brescia e Amisano ©) This “Siegfried”… a popular musical in myth? Given the audience’s warmly animated reactions, as one witnessed upon attending various performances of its run, it would appear so. The lively, evocative melodic themes in this, the third of four operas of “Der Ring des Nibelungen,” are sustained by all the symbolic ingredients of a fairy {…}
The Teatro Petruzzelli in Bari has announced its 2026 season. Opera Niccolò Piccinni’s “La Cecchina” opens the season with Daniele Luchetti directing. Stefano Montanari conducts a cast that includes Ana Maria Labin, Francesca Benitez, Krystian Adam, Francesca Aspromonte, Paola Gardina, Michela Antenucci, Christian Senn, and Pietro Spagnoli. Performance Dates: Jan 21-28, 2026 Vincenzo Milletari will conduct Verdi’s “Falstaff” with Luca Ronconi directing. The production will star Milan {…}
Les Talens Lyriques releases its 2025-26 season. Lully’s “Proserpine” opens the 2025 season. Marie Lys, Véronique Gens, Olivier Gourdy, Jean-Sébastien Bou, Ambroisine Bré, Laurent Kilsby, Apolline Raï-Westphal, Nick Pritchard, Olivier Cesarini, and David Witczak make up the cast. They are joined by Chœur de Chambre de Namur led by Thibaut Lenaerts, and Les Talens Lyriques under the direction of Christophe {…}
The Orchestra Sinfonica Nazionale della Rai has announced its 2025-26 Season. Here are the vocal performances of the season. Thomas Dausgaard and Liv Redpath lead a program of music by Rued Langgaard, Hans Abrahamsen, and Carl Nielsen. Performance Date: Sept. 12, 2025 Andres Orozco-Estrada conducts Mahler’s Symphony No. 3 with Anke Vondung. Performance Dates: Oct. 9 & 10, 2025 Emmanuel {…}
Glyndebourne Festival has announced its 2026 season. New Productions Puccini’s “Tosca” will be directed by Ted Huffman with two casts. Robin Ticciati conducts the first run with a cast that includes Caitlin Gotimer as Floria Tosca, Matteo Lippi as Mario Cavaradossi, and Vladislav Sulimsky as Baron Scarpia. Jordan de Souza conducts the second cast that includes Natalya Romaniw as Floria {…}
On November 21, 2024, Hamburg’s Laeiszhalle hosted the opening concert of the five-day Viva Napoli festival, featuring the modern premiere of Leonardo Vinci’s Oratorio per la Madonna del Rosario after three hundred years’ obscurity. Composed for the annual Rosary Sunday celebrations established by Pope Gregory XIII to commemorate the Holy League’s 1571 victory over the Ottomans at Lepanto, Vinci’s Oratorio {…}
(Photo credits: Ribaltaluce Studio & Laurus Design) The lineup for “48 Days Of Early Music In Herne” has been announced. For the purposes of this article only vocal works are included. This year’s theme is “Reduce – Reuse – Recycle.” Soprano Deborah Cachet and mezzo-soprano Marianne Beate Kielland perform “Passgenau,” with the B’Rock Orchestra conducted by Cecilia Bernardini. Performance Date: {…}
“We met on the job around 10 years ago, for a few projects over some years. The first time not a word, the second a few, the third ‘Hey, would you like to do a concert program together’ and the fourth… was the last and here we are! It took me many hours in the kitchen, but I got him {…}
