(Credit: Guergana Damianova / OnP) The Opéra National de Paris is set to broadcast and stream its new production of “Eugene Onegin.” The opera will be broadcast live on France.tv on Feb. 9 and will also be broadcast at a later date in cinemas and on Paris Opera Play. The recording will be made on Feb. 6 and 9, 2026, {…}
(Ph. Brescia – Amisano © Teatro alla Scala) On March 28, Rai5 is set to present Tchaikovsky’s “Eugene Onegin” from the Teatro alla Scala. The Mario Martone production, which was recorded by Rai Cultura, stars Alexey Markov, Aida Garifullina, Alisa Kolosova, Dmitry Korchak, Elmina Hasan, Dmitry Ulyanov, and Julia Gertseva. Timur Zangiev conducts. A review from OperaWire said, “Alexey Markov {…}
(Credit: Nilz Böhme) Contrary to what the opera indicates in most scenes, with the exception of the duel between Lensky and Onegin, the Swiss director sets the first three acts outdoors. Only the final act at Prince Gremin’s house, where the final confrontation between Tatiana Princess Gremin and Eugene Onegin takes place, is performed indoors. Underlining the fact that everything {…}
Robert Carsen’s beloved production of Tchaikovsky’s “Eugene Onegin” returns to the Canadian Opera Company. The opera will be performed seven times at the Four Seasons Centre for the Performing Arts between May 2 and 24, 2025. Speranza Scapucci conducts the COC Orchestra with a cast that includes Australian soprano Lauren Fagan as Tatiana and Andrii Kymach as Onegin. They will be joined {…}
(Credit: Brescia e Amisano ©Teatro alla Scala) On the recommendation of mezzo-soprano Yelizaveta Lavrovskaya, Tchaikovsky began reading “Eugene Onegin” by Alexander Pushkin, initially more out of obligation than pleasure. However, the novel captivated him, especially the figure of Tatiana, which led him to compose a series of “lyrical scenes.” In a letter addressed to Karl Albrecht, Musical Inspector of the Imperial {…}
Madison Avenue Baptist Church’s Madison Sounds has announced its upcoming concert featuring highlights from Tchaikovsky’s “Eugene Onegin.” The 2024 MABC Emerging Artists, soprano Anna Aistova, mezzo-soprano AddieRose Brown, tenor Andres Penalver, and baritone Blake Austin Brooks are soloists. They are accompanied by piano and narration. Marc Verzatt directs. The “Eugene Onegin” performance will take place on Feb. 20 at 7:30 {…}
(Photo: © Javier del Real /Teatro Real de Madrid) The Teatro Real’s recent staging of Tchaikovsky’s “Eugene Onegin” offers a profound and intimate exploration of love, regret, and honor, brought to life by a stellar cast. Ukrainian baritone Iurii Samoilov delivers a convincing portrayal of Eugene Onegin, capturing the character’s evolution from detached arrogance to profound remorse. His performance is {…}
(Photo: Tristram Kenton) “Eugene Onegin,” Tchaikovsky’s reworking of Pushkin’s verse novel into seven ‘lyric scenes,’ has not been seen on the Covent Garden stage for nearly a decade. Ted Huffman’s new staging would have been an event for that reason alone, but its significance was underlined by the fact that it sees one of the most striking young directors making {…}
(Photo: Neil Harrison) Since Cameron Menzies took on the position of artistic director of Northern Ireland Opera in 2020, the company has undergone something of a Renaissance. Although working on a slim budget, enough to fund only one main stage production each season, its imaginative and innovative approach has led to it staging a stream of high-quality short works, which {…}
U.K.’s HGO is set to present Tchaikovsky’s “Eugene Onegin” this November at the Jackson Lane Theater. The opera will be directed by Eleanor Burke and conducted by John Paul Jennings. Ambrose Connolly and Joylon Loy are taking on the title role. As Taytana, audiences will experience the talents of Hasmik Harutyunyan and Nicola Said while Lensky will be interpreted by {…}
(Photo: Ross Kavanagh) This September, Northern Ireland Opera premieres its new production of Tchaikovsky’s “Eugene Onegin”, with its quality cast members directed by Cameron Menzies, and conducted by Dominic Limburg. This production looks certain to be another hit with local audiences, following its sell-out productions of “La Traviata” and “Tosca.” OperaWire met up with one of its stars, mezzo-soprano Sarah {…}