The English Touring Opera has announced that Director James Conway is stepping down from his position. Per an official press statement, Conway made the decision in order to pursue freelance opportunities. He has, however, agreed to remain Artistic Director of the Company in a part-time capacity until the end of 2022. “James Conway has led English Touring Opera with imagination, {…}
(Credit: English Touring Opera official website) The English Touring Opera has announced its 2022 spring performances. Here is a full slate. Puccini’s “La bohème” features Francesca Chiejina and Paula Sides as Mimì; Jenny Stafford and April Koyejo-Audiger in the role of Musetta; and Luciano Botelho and Thomas Elwin as Rodolfo. The cast is rounded out by Michel de Souza, Jerome {…}
The English Touring Opera has announced its return to live performances starting in October. The company will begin with a national autumn tour of Handel’s “Amadigi” in a new production led by director James Conway and conductor Jonathan Peter Kenny. Designers Neil Irish and Harry Pizzey will collaborate on “Amadigi” and rehearsals for the production have already begun. In anticipation {…}
(Credit: Athole Still Artists official website) Conductor Andrew Greenwood has died. Greenwood was born in Yorkshire. He graduated from Clare College, Cambridge. He went on to join the music staff at the Royal Opera House Covent Garden from 1977 until 1984. He then became a Chorus Master at the Welsh Opera until 1990. He served as Artistic Director of the {…}
The English Touring Opera has announced a revised autumn season. In a press release, the company said, “we are working to produce a live season of lyric theatre this Autumn, touring in October and November. This program is being designed to observe social distancing guidelines in the interest of the safety of our artists and audience. For this reason, we {…}
(Image Source: Official website) The great critic Edward Said saw Mozart and Da Ponte’s “Così fan tutte” as a work of irreconcilable contradictions: astonishingly tender in its explorations of longing, fear, and regret, yet also strangely cold and unredeemed; a world of libertinage and manipulation that burns forward without any clear moral purpose. The frivolity of its scenario is powerfully {…}