In lieu of the recent postponement of its 2020-21 season opening, the Opéra National de Paris has announced that it will be streaming several works that were originally set to open its new season. First up, the company will stream Verdi’s “La Traviata” in Simon Stone’s modern take. Pretty Yende and Benjamin Bernheim headline the famed opera. Audiences will also {…}
(Credits: © Dario Acosta / Charles Castronovo official website / Deutsche Oper am Rhein official website / Kristian Schuller/Decca) The Salzburg Festival has announced its 2021 edition, featuring 8 operas and numerous concert performances. Mozart’s “Don Giovanni” will feature Mika Kares as Il Commendatore, Nadezhda Pavlova as Donna Anna, Michael Spyres in the role of Don Ottavio, Federica Lombardi as {…}
The Teatro alla Scala has announced the musical selections for its opening night on Dec. 7. The program will include music by Verdi, Wagner, Cilea, Puccini, Donizetti, Bizet, Massenet, Giordano, and Rossini. Among the operas that will be showcaeed on opening night include “Lucia di Lammermoor,” “Adriana Lecouvreur,” “L’Elisir d’Amore,” “Guglielmo Tell,” “Madama Butterfly,” “Don Carlo,” Rigoletto,” “Andrea Chenier,” “Die {…}
The Lucerne Festival has announced its 2021 summer season. For this article, we will only concentrate on vocal performances at the Swiss festival. Riccardo Chailly conducts Gun-Brit Barkmin in a program that includes Mahler and Berg. Performance Date: August 13, 2021 Riccardo Chailly conducts Elīna Garanča in Mahler’s “Rückert-Lieder.” The program also includes Mahler’s Symphony No. 1 in D major. {…}
The Metropolitan Opera has announced the next month of nightly streams which focus on a number of unique themes including operas in English, holiday works, and even an entire work dedicated to one of the most iconic artists of all time. Week 39– In Plain English Monday, December 7 – Thomas Adès’s The Tempest Starring Audrey Luna, Isabel Leonard, Iestyn Davies, Alek Shrader, {…}
The Wiener Staatsoper has announced its weekly streams for Nov. 30 through Dec 6, 2020. The week is set to begin with a production of Mozart’s “The Abduction of the Seraglio.” The production by Hans Neuenfels stars Lisette Oropesa, Daniel Behle, Regula Mühlemann, Michael Laurenz, and Goran Juric. Streaming Date: Nov. 30, 2020 Camilla Nylund stars in a recent production {…}
As we enter the final month of the year, opera companies and streams are coming in full force. This week’s selections undeniably favor lovers of the standard repertory and star power. There are a number of galas and recital showcases to look forward to as well. Here is a rundown of our top 10 operas to stream this week. Die {…}
(Credit: Gregor Hohenberg / Sony Classical / Dario Acosta) The Teatro San Carlo di Napoli has announced a slate of December streaming concerts. The purposes of this article we will only focus on operatic and vocal performances. The Italian concerts open on with Mascagni’s “Cavalleria Rusticana” conducted by Juraj Valčuha. The opera stars Elīna Garanča as Santuzza, and Jonas Kaufmann {…}
The Teatro San Carlo di Napoli has announced it will present the “7 Deaths of Maria Callas” in December. The company announced that the opera will be performed five times and will star Elina Garanča as Carmen, Pretty Yende as Desdemona, Maria Agresta as Norma, Selene Zanetti as Tosca, Nadine Sierra as Lucia di Lammermoor, and Carmen Giannattasio as Cio-Cio San. The {…}
This week, audiences will get the chance to hear three stars in song recital albums. There will also be a number of choral selections and a world premiere recording of one of the oldest operas in the repertoire. Here is what you can stream on New Music Friday. Die schöne Müllerin Ian Bostridge continues his exploration of Schubert’s song cycles {…}
(Photo: Holger Hage for Deutsche Grammophon) Before answering each question, Elīna Garanča sighed heavily. “It’s difficult,” she said. I was angry at myself — some simple questions would probably improve the situation. And yet, we get what we get: one short call to discuss these tough times with a famous mezzo-soprano. And it was a difficult talk, indeed. It seems {…}