(Credit: Tristram Kenton/Glyndebourne) Glyndebourne has announced the final opera that will be featured as part of its virtual festival. Starting on August 30, and running through Sept. 6, 2020, the organization will present “Die Meistersinger von Nürnberg” in a production by Sir David McVicar. Vladimir Jurowski conducts a cast starring Marco Jentzsch, Anna Gabler, Topi Lehtipuu, Alastair Miles, Johannes Martin {…}
(Credits: English National Opera official website/Benjamin Ealovega) The Grange Festival has announced a series of live performances between August 21-23, 2020. Director Sinéad O’Neill has created “A Precipice,” an outdoor immersive poetic sequence using the many natural stages offered by the buildings at The Grange. Each performance will last an hour and will be presented to small guided audiences of {…}
(Credit: Candy Welz) Soprano Camila Ribero-Souza was born in São Paulo, Brazil, where she studied singing with Jocelyne Gallo, Edilson Costa, and Luiz Tenaglia. From March 2011 until January 2018, she was a member of the soloist ensemble of the Meininger Staatstheater. In February 2018, as a spinto soprano, she joined the ensemble at the Deutsches Nationaltheater Weimar, where she {…}
(Credit: Ashley Plante) The Semperoper Dresden has announced that Soprano Sara Jakubiak will sing the role of Eva in Wagner’s “Die Meistersinger von Nürnberg” for the final presentation on Feb. 16, 2020. The company announced that Jakubiak will join the production, which stars Georg Zeppenfeld, Vitalij Kowaljow, Iurie Ciobanu, Günter Haumer, Adrian Eröd, Oliver Zwarg, Markus Miesenberger, Patrick Vogel, Beomjin {…}
Jonas Kaufmann has canceled performances of “Die Meistersinger von Nürnberg” at the Bayerische Staatsoper. The company announced that Kaufmann would not be singing performances scheduled for July 27 and 31, 2019. As a result, Daniel Kirch will replace the tenor in the role of Walther. Kirch has performed at the Wiener Staatsoper, the Volksoper Wien, the Semperoper Dresden, the Zurich Opera {…}
“Die Meistersinger von Nürnberg” is undeniably one of the biggest operas in the canon and any undertaking is an ambitious proposition that only the largest of opera companies undertake. But Fulham Opera is stepping up to the challenge and preparing to showcase four performances of Wagner’s comic gem on August 9, 11, 14, and 17 at the Greenwood Theatre in {…}
Happy New Year! This is a time of excitement, introspection, and probably a dose of anxiety as we all figure out how we might want to live this next chapter in our lives. There are so many directions our lives can take at a given moment with our priorities constantly shifting. So here’s an opera quiz where you can see {…}
Of Wagner’s great operas, “Die Meistersinger von Nürnberg” often gets overlooked when the conversation of “greatest works” begins. The work premiered in Munich on June 21, 1868, and is admittedly one of the composer’s more intimate operas. It was not based on any major myth the way some of his other works were and its tame and comic nature make {…}
Opera Australia has announced its 2018 Melbourne Season. The Autumn 2018 season will kick off with Brian Howard’s “Metamorphosis,” starting on Oct. 25 and running through the 27th. That will be followed by “La Bohème,” which will feature soprano Maija Kovalevska in the title role with Yosep Kang as her beloved Rodolfo. Performances start on Nov. 7 and run through {…}
One of the great tragedies of 2016 was losing tenor Johan Botha in the midst of his vocal prime. At just 51 years of age, he still had, at the very least, a few solid years of singing to impart on us. Those who heard Botha will rarely forget his beautiful tenor, a delicate instrument by nature capable of ripping {…}
Theo Adam was one of the all-time great Wagnerian artists, dominating the opera stage between the 1940s and 90s. Born on August 1, 1926, his career featured quite an extensive repertoire, with Adam not only singing all the major Wagner roles for bass-baritone, but also making success incursions into Mozart, Beethoven, Strauss, and many other composers. But for many Adam {…}