Glyndebourne’ s June 15 performance of “Dialogues des Carmélites” was interrupted by a group of protestors within the theater. The company took to social media to issue a statement apologizing for the disruption. “We are very sorry to everyone whose visit to Glyndebourne was affected by the protest action today [Thursday 15 June]. Our highest priority was the safety and {…}
(Credit: Marty Sohl / Metropolitan Opera) John Dexter’s production of “Dialogues des Carmélites” remains one of the treasures of the Met stage. Especially during a time when directors are bringing rather bland new productions to timeless classics, here’s a staging that is both traditional in its concept and imagery, but simultaneously modern in its economy of execution. Black and white {…}
The Metropolitan Opera has announced a cast change for its upcoming production of “Dialogues des Carmélites.” The company noted that Christine Goerke will replace Eva-Maria Westbroek in the role of Madame Lidoine. Goerke is currently set to perform Ortrud in “Lohengrin” later this season. She is also set to make her role debut as Amneris in “Aida” at the Detriot {…}
(Ph. Fabrizio Sansoni / TOR) The Teatro dell’Opera di Roma’s opening night production of “Dialogues des Carmélites” is now available on Raiplay. The opera, which opened the 2022-23 season on Nov. 27, saw the theater observe a moment of silence for the victims of the tragedy in Ischia. The evening saw a number of celebrated figures attend including Roberto Gualtieri, {…}
Remarkable. Francis Poulenc’s “Dialogues of the Carmelites” opened at the San Francisco Opera War Memorial Opera House for the first time since the 1980s. We were strangers as the curtain rose, far away in time and belief, conviction, and the Reign of Terror after the French Revolution. Yet we were also familiars, who knew in our hearts and minds the {…}
(Credit: Johan Persson) This week the San Francisco Opera is set to present Poulenc’s “Dialogues of the Carmelites,” a work that received its U.S. premiere in the city. This season’s presentations will mark the first time the work is presented in French in San Francisco and will mark the first time the company showcases the work since 1982. With the {…}
(Photo : Vincent Pontet) San Francisco Opera’s Centennial Season is set to continue with Francis Poulenc’s “Dialogues des Carmélites” at the War Memorial Opera House. The production by Olivier Py, which is set to run between Oct. 15 and 30, will be conducted by Music Director Eun Sun Kim. The Poulenc opera will star Heidi Stober in her role debut {…}
The Centro Lírico del Sur and the Teatro Cervantes de Málaga are set to present “Dialogues des Carmelites” at the Teatro Villamarta de Jerez starting on June 24, 2022. There will be an additional performance on June 26, 2022. The production is set to star Ainhoa Arteta, Ángeles Blancas, Nicola Beller Carbone, Rodrigo Esteves, David Alegret, María Luisa Corbacho, Nuria García-Arrés. Beatriz {…}
(Credit: © Arielle Doneson / Hilbert Management / Patrick Allen / Claire Mc Adams) The Houston Grand Opera will perform Poulenc’s “Dialogues des Carmélites” in January 2022. The opera will star Christine Goerke in the role of Madame Lidoine, Natalya Romaniw as Blanche, Lauren Snouffer as Sister Constance, Patricia Racette as Madame Croissy, and Jennifer Johnson Cano as Mother Marie. {…}
New England Conservatory’s Opera Studies is set to stream Poulenc’s “Dialogue of the Carmelites” on June 23 and 24, 2021. The showcase was recorded in English at the Boston-based institution’s Plimpton Shattuck Black Box Theatre with piano accompaniment. Audiences can check out the operas for free via the NEC official website. Joshua Major directed the production which includes two casts. {…}
Soprano Eugenia Ratti died in her hometown of Piacenza on November 16, 2020 at the age of 87. Ratti was a contemporary of Maria Callas, singing opposite the famed soprano in 1957 at Teatro alla Scala as Lisa in the Visconti production of “La sonnambula,” conducted by Leonard Bernstein. She also replaced Callas as Rosina in The Dallas Opera’s 1959 {…}