Chicago City Opera is set to present Strauss’ “Der Rosenkavalier.” The opera will be performed twice on June 5 at DANK Haus German American Cultural Center and on June 7 at Fulton Street Collective. Conducted by CCO Artistic Director Alexandra Enyart with stage direction by Rose Freeman, the cast will include soprano Alannah Spencer as The Marschallin, mezzo-soprano Molly Clementz {…}
The New Orleans Opera is set to postpone its March production of “Der Rosenkavalier.” The company has yet to officially make the announcement, but tickets for the production stopped being offered on Feb. 20, 2026. Prior to that OperaWire obtained letters sent by management to employees and members of the Louisiana Philharmonic Orchestra noting the postponement. Per a letter sent {…}
On Sept. 21, 2025, the Opernhaus Zürich opened the 2025-26 season with a new production of “Der Rosenkavalier.” The season opening was the start of General Director Mattias Schulz’s tenure, and based on this premiere, it is a great start. Fantasy World The production by Lydia Steier is a confection of colorful sets that mix time periods and wild fantastical {…}
Arte.tv is set to broadcast the Opernhaus Zürich’s new production of “Der Rosenkavalier.” The broadcast will be held on Sept. 21, 2025 and will feature a new production by Lydia Steier conducted by Joana Mallwitz. The cast will include Diana Damrau as Die Feldmarschallin, Günther Groissböck as der Baron Ochs, Bo Skovhus as Herr von Faninal, Angela Brower as Octavian, {…}
(Photo: ©2025 Chris Lee) Conductor and Lerman-Newbauer Music Director Yannick Nézet-Séguin led the Met Orchestra at NYC’s Carnegie Hall for a special night featuring Richard Strauss works on Thursday, June 12, 2025, showcasing one of the world’s leading lyric-dramatic sopranos, Elza van den Heever, who just concluded her season of performances as Salome at Met Opera. The night was full of standing {…}
(Photos: Vincent Pontet) From May 21 to June 5, the Théâtre des Champs-Elysées presents “Der Rosenkavalier” in a production by the famous and highly controversial director Krzysztof Warlikowski. Even though the French music lovers, and especially the Parisians, are delighted to see this masterpiece of an opera from the beginning of the twentieth century back in the capital – something {…}
(Photo: Brescia e Amisano © Teatro all Scala) Austrian writer Hugo von Hofmannsthal confessed that he drew inspiration for “Der Rosenkavalier’s” libretto from Molière’s comedies, weaving them together with the roles of Italian commedia dell’arte. He wrote, “The characters were there, performing right in front of us: the Buffoon, the Old Man, the Young Man, the Lady, the Cherubino… Each {…}
The Daegu Opera House presented “Der Rosenkavalier” as part of the 21st Daegu International Opera Festival. The showcase, which took place on Oct. 4 and 5, 2024, marked the first time in 30 years that the famed opera was staged in Korea. The production starred Jo Jiyoung as the Marschallin; Park Kihyun as Baron Ochs; Kim Seonjeong and An Teaa {…}
The Curtis Symphony Orchestra and members of the Curtis Opera Theatre will open the 2023–24 season on October 22 at 7 p.m. at Verizon Hall, Kimmel Cultural Campus, with a tribute to composer Richard Strauss entitled ‘Spectacular Strauss.’ Curtis’ young musicians will showcase their talent, led by conductors Yannick Nézet-Séguin and Micah Gleason. Nézet-Séguin holds the position of music director {…}
Fathom Events and the Metropolitan Opera will present a live broadcast of “Der Rosenkavalier” on Saturday, April 15, 2023. The opera, which will be conducted by Simone Young, stars Samatha Hankey, Erin Morley, Lise Davidsen, Günther Groissböck, Brian Mulligan, Katharine Goeldner, René Barbera, and Thomas Ebenstein. Of this year’s revival, OperaWire’s review noted that “this production of “Der Rosenkavalier” is {…}
(Credit: Ken Howard) Over the past few seasons, few artists have gotten as much buzz as soprano Lise Davidsen. She’s been called “A Voice in a Million” by none other than Antonio Pappano and she’s become a major Met fixture, garnering top billing in numerous Strauss operas over the past few seasons. Perhaps none came with greater than anticipation than {…}