Christopher Purves, Ruzan Mantashyan, Nicole Chevalier, John Holiday & Adela Zaharia Lead Komische Oper Berlin’s 2024-25 Season

The Komische Oper has announced its 2024-25 season. Here is a look at the operatic performances. Premieres  George Petrou conducts Händel’s “Messiah” with Damiano Michieletto directing. The soloists will include Penny Sofroniadou, Julia Grüter, Rachael Wilson, Katharina Bradić, Julien Behr, Rupert Charlesworth, Philipp Meierhöfer, and Tijl Faveyts. Performance Dates: Sept. 21-Oct. 6, 2024 Franz Wittenbrink’s kinderoper “Die kleine Hexe” will {…}

Sydney Mancasola, Nicole Chevalier, Arturo Chacón-Cruz, Scott Hendricks, Annette Dasch, Francesca Dotto Lead Komische Oper Berlin’s 2021-22 Season

(Credits: LA Opera official website / Jan Windszus Photography / Lena Kern / Mark Janssen / Georg Schlosser / In Art Management official website) The Komische Oper Berlin has announced its 2021-22 season. Here is a look at the operatic and vocal performances. Opera – Premieres Enescu’s rarely performed masterwork “Œdipe” opens the season. The opera features Jens Larsen, Joachim {…}

Anna Netrebko, Elīna Garanča, Anja Harteros, Sonya Yoncheva, Piotr Beczała Highlight Opernhaus Zürich’s 2021-22 Season

The Opernhaus Zürich has announced its 2021-22 season. Here is the full slate. Operas – Premieres Richard Strauss‘ “Salome” will star Elena Stikhina, Kostas Smoriginas, Wolfgang Ablinger-Sperrhacke, Michaela Schuster, Mauro Peter, and Siena Licht Miller. Simone Young conducts the production by Andreas Homoki. Performance dates: Sep. 12 – Oct. 17, 2021 Verdi‘s “Il Trovatore” will spotlight Quinn Kelsey, Marina Rebeka, {…}

Sean Panikkar, Anne Sofie von Otter & Leonardo Capalbo Lead Komische Oper Berlin’s 2019-20 Season

Komische Oper Berlin has announced its 2019-20 season. This season will celebrate Dionysus, the forefather and protagonist of Greek theatre, with new productions reflecting the entire spectrum of musical theatre. Chief Director Barrie Kosky comments, “. . . [O]nce we believe in the power of theatre and music, believe in their intoxicating, seductive, physical, emotional, and ultimately community-building impacts, once {…}