German conductor Cornelius Meister has announced that he will not extend his contract with Staatsoper Stuttgart, Meister began his tenure in 2018 and is set to remain with the company until 2026. In addition to his position in Stuttgart, Meister is the Principal Guest Conductor of the Yomiuri Nippon Symphony Orchestra Tokyo. He has received an International Opera Award and {…}
Photo credit: Michele Monasta There was a lovely old lady, clearly a regular at Maggio, sitting next to me, who, during the change of the scene, quietly asked, “is it an interval already?” “No, another half of an hour,” I replied. She only sighed in response. There was also a stylish man in his 40s, who stood up twice during {…}
Cornelius Meister has extended his contract as General Music Director of the Staatsoper Stuttgart. Meister has been General Music Director of the Württemberg State Theater since the 2018-19 season and is set to continue with the company through 2026. As Music Director Meister has conducted new productions of Richard Wagner’s “Lohengrin” and Hans Werner Henze’s “Der Prinz von Homburg,” {…}
(Credit: Karen Almond / Metropolitan Opera) One hundred and nineteen artists and conductors are signing a petition to end the war and end the boycott against boycotting Russian artists. The petition, which is signed by such prominent artists as Antonio Pappano, Mark Elder, Simon Rattle, Franz Welser-Möst, Cornelius Meister, Dmitri Tcherniakov, Barrie Kosky, Matthew Rose, Fabio Luisi, Barbara Hannigan, and {…}
(Credit: Marco Borggreve) On April 11, the Staatsoper Stuttgart will present “A day with Ariadne auf Naxos: In Search of Lost Closeness.” The interactive day will feature Cornelius Meister conducting Richard Strauss’ “Der Bürger als Edelmann” and “Ariadne auf Naxos” and a number of other interactive activities including interviews, a backstage tour, and a virtual foyer with artists and performers. {…}
(Credit: Emelie Kroon) When COVID-19 struck a few months back, one of the final “live” performances to take the stage was a rendition of Wagner’s “Die Walküre” in Sweden. Among the performers in that production was dramatic soprano Elisabet Strid, who took on the role of Sieglinde. Strid, who has performed in such opera houses as the Teatro Real, Lyric {…}
