Händel-Festspiele Halle 2026 Review: Rinaldo (Double-Feature)

(Photo: Anna Kolata) The 2026 Händel-Festspiele presented a unique double-feature of Handel’s breakout 1711 masterpiece, “Rinaldo.” By showcasing two radically different formats—traditional Italian puppetry and a metatheatrical re-contextualization at Oper Halle—the festival offered audiences a rare opportunity to compare two staged productions. While one production embraced the “primitive” theatrical tools of the past to unlock the opera’s raw, historical energy, {…}

Oper Frankfurt 2025-26 Review: Amor vien dal destino

(Photo: Matthias Baus) Although Agostino Steffani’s music has enjoyed intermittent modern attention—most notably through Cecilia Bartoli’s influential album—fully staged performances of his operas remain strikingly scarce. Written in the 1690s for Hannover, but first performed only in 1709 at the Düsseldorf court, “Amor vien dal destino” stands at a stylistic crossroads. Italianate vocal expressivity, French-influenced orchestral color, and the emerging {…}

Händel Festspiele Halle 2025 Review: Clori, Tirsi e Fileno

(Photo: Benjamin Elsholz) In the Goethe-Theater of Bad Lauchstädt—Germany’s only fully preserved Goethe-era theater—Handel’s “Clori, Tirsi e Fileno” received a rare and refreshingly focused staging. Composed around 1707 for unknown purpose, this pastoral cantata, though small in scale, hints at operatic intensity. In this performance by three exceptional young singers under Michael Hofstetter, its elegant construction emerged as both theatrically {…}