Theater an der Wien 2017-18 Review – Saul: Claus Guth’s Interpretation Is More Pasolini Than Prophet

When a lyricist describes his composer’s head as “full of maggots”, the chances of a harmonious collaborative outcome would seem slim. For Charles Jennens, the aesthete aristocratic librettist of Handel’s oratorio “Saul,” such a jeremiad was not a solitary instance. The principal object of Jennens’ ire was Handel’s highly original orchestration, especially the invention of a tinkling bell-like keyboard called a “Carillon” {…}

Paris Opera 2016-17 Preview: Jonas Kaufmann Set For Triumphant Return in Wagner’s ‘Lohengrin’

The wait is over – Jonas Kaufmann will finally make his long-awaited return on Wednesday, Jan 18 in Wagner’s “Lohengrin” in Paris. The tenor has been sidelined since October after announcing that side effects from medication had caused a haematoma. After that he committed to remaining on vocal rest until his haematoma “completely subsided.” This forced him to cancel numerous {…}