Teatro Real presented a new production by Claus Guth of the unknown and rarely performed Mozart opera: “Mitridate.” The opera is a work that the talented Mozart composed when he was 14 -years -old and that followed the rigid structure of the XVIII century Italian opera, and therefore conforms with a series of recitatives (secco and accompagnato with piano forte {…}
The Teatro Real de Madrid will stream its production of “Mitridate, re di Ponto” on April 4, 2025. Audiences will get a chance to broadcast the performance on MyOperaPlayer starting at 7:30 p.m. local time. The opera is presented in a production by Claus Guth, inspired by the award-winning TV series “Succession.” The opera production features two casts starring Juan {…}
This season the Paris Opera is reviving “Rigoletto” in Claus Guth’s 2016 stark production. Verdi’s work is known for its memorable arias and melodies and is perhaps one of the most difficult works for baritone. It is also a gritty plot that has been reinterpreted in many different ways, sometimes revealing its darker layers. But in other instances, reinterpretations have {…}
(Photo credit: Monika Rittershaus) “So, who is signing the work?” an operagoer asks Raphaël Pichon and Claus Guth at a lunchtime panel about their opera-project “Samson.” The music is Rameau’s, but it is not that simple. According to Guth (and his Wikipedia search), Rameau did indeed compose a “Samson” with a libretto by Voltaire; however, it is all lost. Pichon {…}
(Photo: Monika Rittershaus) Due to the pandemic, the new production of “Khovanshchina” planned for 2020 could only be realized this season at the Staatsoper unter den Linden. Now, Modest Mussorgsky’s monumental, melancholy music unfolds in all its splendour, not least thanks to the phenomenal performance of the chorus. “Khovanshchina” is an unfinished opera in five acts by Modest Mussorgsky, which {…}
(Photo: Kristaps Kains, Latvian National Opera) Latvia National Opera’s production of Verdi’s “Don Carlo” was musically and visually excellent, but the director Claus Guth’s underlying concept was not, at least initially, easy to grasp, despite his clearly written program notes. His underlying idea is that it is Carlo’s energy, values and behavior set against a despotic society, in which faceless {…}
(Credit: Monika Ritterhaus) Jonas Kaufmann has been to New York over the past few years, mainly to do concert performances at Carnegie Hall. But the last time that the tenor was in New York to do a full-blown theatrical production was five years ago when he headlined a brief stint of performances of “La Fanciulla del West” at the Met {…}
It’s late September in New York and a major European director is staging a unique new work at a historic venue. And it stars Jonas Kaufmann, making his return to the Big Apple for the first time in two years. Described by director Claus Guth as a “highly emotional trip” in a recent interview with OperaWire, “Doppelgänger” is gracing the {…}
(Photo Credit: @Guergana Damianova – OnP) When Claus Guth’s spatial version of “La Bohème” opened in 2017, the Opéra Bastille shook with all the insults it received. Puccini’s opera is often understood as an artefact, and productions will flirt with disaster if they do not depict a snow-globe Paris, crystallized in everyone’s mind. Guth did not abandon a visually beautiful {…}
(Photo: Monika Rittershaus) To mark the 700th anniversary of Dante Aligheri’s death in September 1321, the Aix-en-Provence festival staged the world premier of French composer Pascal Dusapin’s opera “Il Viaggio, Dante,” based upon the poet’s iconic narrative poem “The Divine Comedy.” To say that this is an ambitious undertaking is an understatement, especially as the work has been compressed into {…}
Originally, the Teatro Real de Madrid was supposed to present a new production of Mozart’s “Le Nozze di Figaro,” co-produced with the Festival D’Aix-en-Provence. But instead, the company presented the Claus Guth production from Salzburg. The German stage director is no stranger to Madrid’s opera house, having helmed “Don Giovanni” last season with the company. He is famous (or infamous?) {…}