After a week full of high-profile releases, the offerings are rather sparse. The main offering highlights the work of a famed conductor and his operatic legacy. Another highlights a production of one of the greatest operas of all time. Claudio Abbado: The Opera Edition Also available throughout Europe is a 60-disc set entitled “Claudio Abbado: The Opera Edition.” Among the operas {…}
The Metropolitan Opera’s famed Live in HD series kicks off this weekend with a broadcast performance of Bellini’s “Norma.” The performance, which takes place on Oct. 7, 2017, will feature Sondra Radvanovsky in the title role with Joseph Calleja as Pollione, Joyce DiDonato as Adalgisa, and Matthew Rose as Oroveso. The production is directed by Sir David McVicar. Carlo Rizzi {…}
The Metropolitan Opera launched its 2017-18 season with its usual flash and sparkle, ushering celebrities onto the red carpet for their turn at the step and repeat as droves of opera fans in their black tie best bustled under the crystal chandeliers. The house was abuzz from the very start: patrons chattering in excitement even after the lights went down. {…}
A Metropolitan Opera season will start with Bellini’s “Norma” for the third time in its history when Sondra Radvanovsky, who conquered the role at the Met a few years back, takes it on on Sept. 25, 2017. Radvanovsky will join a long line of famous sopranos that have taken on the opera with the company, beginning with Lilli Lehman, who {…}
Elīna Garanča is one of the most famous singers of the modern opera world. Born on Sept. 16, 1976, the Latvian mezzo has gone from bel canto specialist to a dominant singing actress in the dramatic repertoire. Known for her vocal prowess and technical perfection (have you ever heard her struggle with any vocal line?), she is also an imaginative {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Werner Herzog’s “Fitzcarraldo.” {…}
Bellini’s pastoral opera “La Sonnambula” made a welcome return to La Fenice, in a revival of Bepi Morassi’s 2012, widely-acclaimed production. In this outing, conducted by Fabrizio Maria Carminati, Irina Dubrovskaya played the role of Amina, with Shalva Mukeria as Elvino and Roberto Scandiuzzi as Rodolfo. The minor roles were undertaken by Julie Mellor as Teresa, Silvia Frigato as Lisa {…}
Liudmyla Monastyrska is one of the most in-demand Verdi sopranos of her time. Just look at her repertoire and engagements and you will see that the Ukrainian soprano has run the gamut of the great composer’s repertoire. From the earliest works to “Aida,” Verdi’s final dramatic soprano role, Monastyrska has deep knowledge of Verdi’s artistic development. Among the roles that {…}
While the bel canto repertoire is among the most popular in the operatic canon, most people are quick to dismiss the genre’s overall quality, noting that the works themselves are simply a vehicle to show off a singer’s virtuosity. But Irina Lungu could not disagree more. The Russian soprano, who has dedicated the first five months of 2017 to immersing {…}
Elza van den Heever will not perform the final “Norma” at the Dallas Opera. In her stead soprano Aviva Fortunata will take on the lead role for the performance on Sunday, May 7, 2017. Fortunata performed the role of the priestess this past fall at the Canadian Opera Company. The Calgary native was a finalist in the 2016 Operalia Competition {…}
The Washington Concert Opera has announced its 2017-18 season with two Bel Canto rarities. The season begins with a performance of Bellini’s “La Straniera” on November 19th. It will feature three rising stars in their WCO debuts, soprano Amanda Woodbury as Alaide, tenor Gerard Schneider as Arturo, and mezzo-soprano Corrie Stallings as Isoletta. Also joining them is WCO favorite, baritone {…}