The Bilbao Opera has announced its 2017-18 Season with five operas. The season begins on Oct. 21 with Verdi’s “I Masnadieri” starring Carmen Giannattasio in her Bilbao debut. It also marks the first time in 12 seasons since the opera was last performed in Bilbao and will be presented in a production by Leo Muscato that first at the Teatro Regio {…}
Bellini’s “I Puritani” returns to cinemas from the Teatro Real de Madrid. The broadcast, which was originally live streamed over the summer in 2016 on Facebook and in the main square of the Teatro Real, will be in cinemas from May 4 until May 7 throughout Spain. The opera stars Diana Damrau in the lead role of Elvira and Javier {…}
Bellini’s “La Sonnambula” is one of the most popular operas in the Bel Canto repertoire and one that many coloratura sopranos have embraced on stage. On March 6, 1831, the opera had its world premiere with Giuditta Pasta in the title role. Pasta was known as a soprano sfogato which is designated to a contralto who is capable—by sheer industry or natural {…}
This review is for the performance on Feb. 11, 2017. What happens when the Metropolitan Opera casts four superstars into Bellini’s final opera? The answer is golden age singing. For years “I Puritani” has been a vehicle at the Metropolitan Opera to promote the diva and sometimes has made casting uneven with little attention paid to who can sing the incredibly {…}
For Javier Camarena, the start of 2017 has been a blending of the past, present and future. His year started with an operatic goodbye and the month of February he will slide into comfortable repertoire that he feels will be his meat and potatoes in the immediate future. And in March, he ventures into unknown terrain that might just prove {…}
The Lyric Opera of Chicago continues its 2016-17 season in a big way when it showcases Bellini’s masterful “Norma” on its stage this Saturday. The production will feature Sondra Radvanovsky, who has dominated the title role all around the world. Conductor Riccardo Frizza recently told OperaWire that working with Radvanovsky on this role is a revelation because she is “fully {…}
Every major discipline has its proverbial “Mount Everest,” the pinnacle achievement. The moment of “arrival” in which the person can feel a sense of accomplishment that few others, or only the true greats, have accomplished. In the soprano operatic repertoire, Bellini’s “Norma” is often viewed as that proverbial peak due to its taxing and wide-ranging nature. Lili Lehmann, one of {…}
At age 14, Riccardo Frizza decided he wanted nothing to do with opera. The catalyst? Bellini’s “I Puritani.” “I was studying in the conservatory and they took us to see ‘I Puritani,’” the famed conductor told OperaWire in an exclusive interview. “I thought it was so boring. It was a mistake to take me to see that first before any {…}
On Jan. 24, 1835 Bellini premiered his final opera, “Puitani.” Despite being beloved for its beautiful melodies and incredible coloratura challenges, the opera is also known for its ludicrous story line. This season the Metropolitan Opera is presenting the work with an all star cast and a new diva. The Met has always used the opera as a showcase for {…}
The Verdi and Bel Canto repertoire has some of the most challenging music for soprano. It requires flexibility in the voice as well as high and low testitura. Coloratura runs are a must and clear diction and attention to the text are paramount. Among contemporary artists, Angela Meade has been championing this repertoire by not only performing the warhorses such {…}