The LA Opera is set to present the company premiere of Golijov’s “Ainadamar.” The opera will be presented from April 26 through May 18 and will be led by Resident Conductor Lina González-Granados. Deborah Colker’s acclaimed production will be showcased. When the production was shown at the Detroit Opera and Metropolitan Opera, OperaWire said it was a “Special Experience” and {…}
Festival Casals in Puerto Rico is set to present Golijov’s “Ainadamar” on May 24, 2025 at the Cento de Bellas Ares Luis A. Ferré. The famed work will star Jessica Rivera as Margarita Xirgu, with Evelyn Ramírez as Lorca. Meechot Marrero plays Nuria, while Alfredo Tejada is Ramón Ruiz Alonso. Other cast members include Camila Otero, Aurora Navarro, Carlos Ortiz, {…}
There’s been a lot of opera in 2024. And quite frankly, there’s been a lot of good opera. So as has become our tradition, here is a look at some of OperaWire’s editorial team’s picks for their personal favorite performances of 2024. Matt Costello: Act three of “Götterdämmerung” – Tanglewood It’s always a tricky thing to think about one’s “Performance {…}
(Photo: Marty Sohl / Met Opera) In recent years, it has become that contemporary opera has an identity issue. In a world where musical theater and cinema / television dominate the entertainment landscape (not to mention video games), contemporary opera has seemingly done its utmost to match these works in breadth and scope. The problem is, opera has always had {…}
The Metropolitan Opera is set to present four contemporary operas during the 2024-25 season. In a new article by The New York Times, the company revealed that it will present “Grounded” about the toll of drone warfare by Jeanine Tesori and George Brant to open the season in September. The season will also see John Adams’ latest opera “Antony and {…}
And we’re back. And as has become the tradition here at OperaWire, we have asked our writers to select their choices for the opera performances that truly marveled them in 2023. So without further ado, here are our writers’ picks. Enjoy! Joao Copertino This year, in my opinion, the best performance was Aix-en-Provence’s “Picture a Day Like This,” a world premiere {…}
(Photo Credit: Scott Suchman) Throughout this new series, we will be looking at the history of American opera beginning in the 2000s to the present through a revisit of certain iconic works of the decade and OperaWire’s coverage of them throughout the 21st century. In this first part, we will look at the development of American opera during the 2000s, {…}
On April 14, 2023 Detroit Opera had its second performance of Osvaldo Golijov’s first opera, “Ainadamar.” With a libretto by David Henry Hwang, a stellar orchestra led by Paolo Bortolameolli, the opera drew a packed house and a righteous ovation at the end. Resilience is a Detroit quality and it seems DO has proven itself once again. It was a {…}
The Metropolitan Opera is set to present “Ainadamar” by Osvaldo Golijov during the 2024-25 season. The New York Times is reporting that Deborah Colker’s production, currently being performed at the Detriot Opera will be shown at the Met in two seasons. The new production is currently starring Gabriella Reyes, Daniela Mack, and Vanessa Vasquez and is also set to premiere {…}
Miami Classical Music Festival has announced its summer 2019 season, featuring over three-hundred performers in over fifty performances. We will focus only on opera and other vocal events. Opera The season will open with a double bill of two 21st Century operas, Nico Muhly’s “Dark Sisters” and Osvaldo Golijov’s “Ainadamar.” Performances will be held in the Carl Fisher Auditorium of {…}
A few weeks ago, Metropolitan Opera Music Director Designate Yannick Nézet-Séguin made the proclamation that he would be bringing newer and fresher composers to the Metropolitan Opera throughout his tenure. A few days later it was reported that among the new composers he would be bringing would be Jake Heggie’s “Dead Man Walking.” It’s a great start, considering Heggie, who {…}