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Reviews, Stage Reviews

Festival della Valle d’Itria Review 2017 – Margherita d’Anjou: Director Shifts Plot From 15th Century to Reality TV Setting… And It Works

https://operawire.com/festival-della-valle-ditria-review-2017-margherita-danjou-director-shifts-plot-from-15th-century-to-reality-tv-setting-and-it-works/

Martina Franca, situated in Puglia in south east Italy, is home to the annual Festival della Valle d’Itria, which is largely, although not exclusively, devoted to the presentation of obscure, neglected, and rarely-performed operas. Its stated mission is “dedicated to researching and deepening our knowledge of Italian bel canto,” and it is in this light that it selects operas and {…}
On This Day, Special Features

Two Occasions When Riccardo Muti Broke His Own Performance Rules

https://operawire.com/two-occasions-when-riccardo-muti-broke-his-own-rules/

Riccardo Muti, born on July 28, 1941, is one of the greatest conductors of all time. He has specialized in the Italian repertoire, particularly the works of Verdi and has been incredibly valuable in bringing some of the composer’s early works to the fore. Muti has also been recognized for performing works without cuts and sticking to what is written {…}
News

Roberto Alagna To Debut Lohengrin At The Bayreuth Festival

https://operawire.com/roberto-alagna-to-debut-lohengrin-at-the-bayreuth-festival/

Roberto Alagna will sing Wagner’s “Lohengrin” at the Bayreuth Festival in 2018. After speculation that the tenor would perform the role, the Bayreuth Festival announced the news via Twitter. The tenor will sing the role alongside Anja Harteros, who has performed Elsa to great acclaim around the world and Waltraud Meier, who will portray Ortrud. Tomasz Konieczny will sing Telramund {…}
News

Breaking: Diana Damrau & Olga Pudova Replace Aleksandra Kurzak At The Bayerische Staatsoper

https://operawire.com/breaking-diana-damrau-olga-pudova-replace-aleksandra-kurzak-at-the-bayerische-staatsoper/

Aleksandra Kurzak has canceled her participation at the Bayerische Staatsoper’s performances of Offenbach’s “Les Contes d’Hoffmann.” The soprano will be replaced by Diana Damrau and Olga Pudova. Damrau will sing the roles of Stella, Giulietta, and Antonia while Pudova will be performing Olympia. Damrau opened the Richard Jones’ production back in 2011 singing all four roles with Rolando Villazon. She {…}
Reviews, Stage Reviews

Festival d’Aix-En-Provence 2017 Review – Carmen: Tcherniakov’s Production Will Change the Way You See Bizet’s Masterpiece

https://operawire.com/festival-daix-en-provence-festival-2017-carmen-tcherniakovs-production-will-change-the-way-you-see-bizets-masterpiece/

“Carmen,” Georges Bizet’s Spanish-inspired masterpiece, was performed at the Festival d’arLyriqueue d’Aix-en-Provence’s 2017 season in an unconventional production. Russian director Dmitri Tcherniakov’s has consigned the traditional Sevillan mantillas, toreros, and abrigos de luz to distant memory and, for the hugely popular opera’s return to Aix for the first time in 60 years, has fully reviewed the story to give it {…}
On This Day, Special Features

What Roles Do Licia Albanese & Anja Harteros Share

https://operawire.com/what-roles-do-licia-albanese-anja-harteros-share/

Licia Albanese was one of the leading Madama Butterflies of her time while Anja Harteros has become one of the go-to spinto Sopranos, performing a wide range roles from the Strauss, Verdi and Wagner repertoire. The two sopranos, while coming from different fachs and specializing in different repertoire, still had a number of roles in common. La Traviata  This was one of {…}
Reviews, Stage Reviews

Festival d’Aix-En-Provence 2017 Review – The Rake’s Progress: An Imaginative Production & Solid Cast Lend Insightful Reading of Stravinsky’s Neo-Classic Masterwork

https://operawire.com/aix-en-provence-festival-2017-review-the-rakes-progress/

“The Rake’s Progress,” an opera in three acts and an epilogue by Igor Stravinsky, was one of the six operas performed at this year’s Festival International d’art Lyrique d’Aix-en-Provence. Although relatively modern, compared to the classical opera repertoire (it premiered on 11 April 1951), Simon McBurney’s visually striking and infinitely creative staging gives it an additional innovative edge. English actor, {…}

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