In an inspired piece of programming the Tiroler Landestheater, Innsbruck paired Strauss’ “Capriccio” with Gluck’s “Orphée et Eurydice,” which were performed over two consecutive evenings. Separated by more than 160 years and in fundamentally different styles, they are nevertheless natural companion pieces. Although ‘Capriccio’ makes both musical and verbal references to Gluck, the connections between the two operas run far {…}