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Deborah Voigt, Simon Keenlyside, Gustavo Dudamel Lead Music Academy of the West’s 71st Season

https://operawire.com/deborah-voigt-simon-keenlyside-gustavo-dudamel-lead-music-academy-of-the-wests-71st-season/

The Music Academy of the West has announced its 71st season which is set for June 11, 2018. The festival will run through August 11, 2018, and will star some of the greatest artists in the world of opera and classical music. As has been the case for these season announcements, the focus will be solely on opera and vocal {…}

Reviews, Stage Reviews

Palau de la Música Catalana 2017-18 Review: Mark Padmore, Julius Drake and the Cor de Cambra del Palau Shine With Schubert & Britten

https://operawire.com/palau-de-la-musica-catalana-2017-18-review-mark-padmore-julius-drake-and-the-cor-de-cambra-del-palau-shine-with-schubert-britten/

In most cities, different musical organizations persist in such aggressive rivalry it makes the Montagues and Capulets look like kissing cousins. Not so in Barcelona where the three major performing venues, namely the Gran Teatre del Liceu, the Palau de a Música Catalana and the L’Auditori have come together under a coordinating entity called Barcelona Obertura to make music in the {…}

News

Plácido Domingo, Angela Gheorghiu & Rolando Villazón Headline Semperoper Dresden’s 2018-19 Season

https://operawire.com/placido-domingo-angela-gheorghiu-rolando-villazon-headline-semperoper-dresdens-2018-19-season/

(Credit: © Semperoper Dresden/Klaus Gigga) The Semperoper Dresden has announced its 2018-19 season featuring a number of superstars and nine new productions of operettas, chamber opera, and grand opera. As always, the following will only cover the operas that will be shown next season and not the ballets that were also included in the season announcement. New Production  Arnold Schönberg’ {…}

News

Matthias Goerne Headlines NY Philharmonic’s 2018-19 Season

https://operawire.com/matthias-goerne-headlines-ny-philharmonics-2018-19-season/

The New York Philharmonic has announced its 2018-19 season filled with numerous stars and new music. The new season marks the first for music director Jaap van Zweden. For this article, we will concentrate on the vocal events of the season and the singers who will headline important concerts. Matthias Goerne Artist in Residence Matthias Goerne, one of today’s leading {…}

Reviews, Stage Reviews

Houston Grand Opera 2017-18 Review – Elektra: The Great Goerke Is the Finest Elektra Of Our Time

https://operawire.com/houston-grand-opera-2017-18-review-elektra-the-great-goerke-is-the-finest-elektra-of-our-time/

The aftermath of Hurricane Harvey forced the Houston Grand Opera out of its regular space in the Wortham Theater Center and into a temporary one, dubbed HGO Resilience Theater inside the cavernous George Brown Convention Center in downtown. Experiencing a performance in such an unusual setting wasn’t a unique experience for me after seeing a production of “Tannhauser” inside a {…}

Reviews, Stage Reviews

Royal Opera House 2017-18 Review – Salome: David McVicar’s Thrilling Production & Michael Volle’s Violent Presence Make For Impactful Evening of Opera

https://operawire.com/royal-opera-house-2017-18-review-salome/

London is a chilly place. Yet on this particularly evening I leave my coat in the hotel and zip to Covent Garden. No room nor time for extra layers, since attending a performance in the Royal Opera House is a cluttered affair. The long lines for cloakrooms stifle with imperial colognes, and the tight, even if velvet, chairs make Ryanair {…}

Reviews, Stage Reviews

Wigmore Hall 2017-18 Season Review – Joyce DiDonato is a Lyrical Sorceress

https://operawire.com/wigmore-hall-2017-18-season-review-joyce-didonato-is-a-lyrical-sorceress/

There is an old ubiquitous adage – alternately attributed to Goethe, Sibelius or Wagner – that summarily affirms music begins where words end. If that were the case, such an assertion would defy the very need to write reviews about performance. And Joyce DiDonato leaves reviewers stymied. In a repertoire so far astray from her typical programmes – whether they {…}