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Reviews, Stage Reviews

Park Avenue Concert Series 2019 Review: Frederick Schlick, Mariana Barbosa, Natalia Strzelecka, & Amelia Burshe

https://operawire.com/park-avenue-concert-series-2019-review-frederick-schlick-mariana-barbosa-natalia-strzelecka-amelia-burshe/

On December 21, 2019, the Eurasia Festival presented the second concert of its Park Avenue Concert Series. Held at the organization’s new location of the Eurasia Cultural Center, this series gives performance opportunities to students of the “Azatt Sessions,” a series of classes taught by director Mark Verzatt and Eurasia Festival President and pianist, Aza Sydykov. A Tenor Opens Opening {…}

Artist of the Week, Special Features

Artist Of The Week: Corinne Winters

https://operawire.com/artist-of-the-week-corinne-winters/

(Credit: Curtis Brown) “Halka” is as one of the masterpieces in the Polish operatic repertory and is frequently performed in its country of origin. In recent times the opera has garnered greater international attention with showcases at  Carnegie Hall, Bard Music Festival, and the Bel Canto Opera. This week, “Halka” will get a new production at the Theater an der {…}

Reviews, Stage Reviews

White Light Festival 2019 Review: Tristan und Isolde, Act 2

https://operawire.com/white-light-festival-2019-review-tristan-und-isolde-act-2/

In simplified terms, Wagner’s music, especially in “Tristan und Isolde,” can be visually compared to a continuous stream of waves coming and going, each growing in size and power, exploding, and then receding back to where they came from. In the best performances, a singer rides these orchestral waves of sound, the voice standing above the music, but also impossible {…}

Reviews, Stage Reviews

Gran Teatre de Liceu 2018-19 Review: Luisa Miller

https://operawire.com/gran-teatre-de-liceu-2018-19-review-luisa-miller/

(Credit: A Bofill) “Luisa Miller,” which premiered in 1849, marks the inflection point from the early Verdi style, strongly influenced by the formal structure of the Bel-canto operas, to the mature Verdi who looked for a dramatic communion between the text, the vocal line, the music, and the characters. We can even appreciate an evolution within the opera, where the {…}

Special Features

Analysis: Friday Nights with Yury Revich at the Theater an der Wien

https://operawire.com/analysis-friday-nights-with-yury-revich-at-the-theater-an-der-wien/

On any given evening in Vienna there are more musical performances going on than slices of sticky orangey chocolate cake being wolfed down at the Café Sacher. Opera aficionados and admirers of musicals can avail themselves of concurrent offerings at the splendiferous Staatsoper, the folksy Volksoper, the cosy Kammeroper, the recherché Ronacher and Raimund theaters or the historically pre-eminent Theater {…}

Special Features

Analysis: 2018 Leyla Gencer Voice Competition Istanbul

https://operawire.com/analysis-2018-leyla-gencer-voice-competition-istanbul/

Opera aficionados d’un certain âge remember Leyla Gencer with almost idolatrous admiration and no small degree of reverence. With the passing of time, most younger devotees of the lyric theatre have about as much knowledge of “La Diva Turca” as they do Maria Reining or Toti dal Monte. Born Ayshe Leyla Ceyrekgil in Istanbul sometime between 1918-1928, Gencer enjoyed a {…}

News

Winners of 9th Leyla Gencer Voice Competition Announced

https://operawire.com/winners-of-9th-leyla-gencer-voice-competition-announced/

Turkish mezzo Ezgi Karakaya is the winner of the ninth annual Leyla Gencer Voice Competition. She also took home the audience award. The second place winner was German-Italian mezzo Anna Doris Capitelli with Polish tenor Piotr Buszewski coming in third place. Karakaya walks away with a 12,500 euro prize while Doris gets 7,500 euros and Buszewski wins 3,500 euros. It {…}