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Reviews, Special Features, Stage Reviews

Pocket Opera 2018-19 Review: La Rondine

https://operawire.com/pocket-opera-2018-19-review-la-rondine/

Puccini’s “La Rondine” soared out of Berkeley’s Hillside Club Sunday afternoon, in full flight. Pocket Opera, under the artistic direction of Nicholas A. Garcia and music director David Drummond, gave voice to its bittersweet charm. With the Pocket Philharmonic tucked neatly upstage and the small cast of ardent singers weaving in and out of a petite and well-designed set, the {…}

Reviews, Stage Reviews

Pocket Opera 2019 Review: The Two Widows

https://operawire.com/pocket-opera-2019-review-the-two-widows/

Pocket Opera’s “The Two Widows” was a treat. A Smetana rarity, Pocket Opera performed the work with gusto. The opening performance at Berkeley’s historic Hillside Club provided an intimate setting for this charming production directed by Nicholas A Garcia, Pocket Opera’s current Artistic Director. Donald Pippin’s English version of the original Czech libretto by Emanuel Züngel, aptly enhanced the music. {…}

News

Cape Town Opera Presents ‘A Pocket Magic Flute’

https://operawire.com/cape-town-opera-presents-a-pocket-magic-flute/

Cape Town Opera presents a bite-sized opera through the 40-minute film, “A Pocket Magic Flute.” The film geared towards children is an educational opera project by Pocket Opera that reimagines Mozart’s “The Magic Flute” in Africa. “A Pocket Magic Flute”combines acting, animation, and opera. Music for the project came from African-American performers at Pocket Opera, alongside orchestral tracks by young {…}

Behind the Scenes, Interviews, Stage Spotlight

Q & A: Jordan Best & Lori Schulman on the Santa Cruz Opera Project

https://operawire.com/q-a-jordan-best-lori-schulman-on-the-santa-cruz-opera-project/

(Photos: courtesy of the artists) Chamber opera is growing in appeal. Not only with composers, such as Missy Mizzoli and Nico Muhly, but also with producers such as Pocket Opera and West Edge Opera looking for small and untraditional venues in which to present their work. Minimalist opera in small halls invariably attracts new, young, inquiring audiences and companies such {…}

Behind the Scenes, Interviews

Q & A: Elizabeth Askren on Growing MaestraMagic! & Opera as a Comic Book

https://operawire.com/q-a-elizabeth-askren-on-growing-maestramagic/

(Photo credit: J. Kraemer) Following the release of the Spanish edition of MaestraMagic!’s comic book, “La Flauta Mágica,” Dr. Elizabeth Askren sat down with OperaWire to discuss this creative journey. The project started as part of Askren’s mixed-media edutainment show that she created with her daughter Lily during the lockdown in 2020. The English version and first edition of the {…}

Reviews, Stage Reviews

Wexford Festival Opera 2025-26 Review: Der Zwerg

https://operawire.com/wexford-festival-opera-2025-26-review-der-zwerg/

(Photo: Padraig Grant) As well as its featured operas, the Wexford Opera Festival also puts on an array of other events, including performances of its “pocket operas,” that is, short works or abridged versions of larger works, sung to a piano accompaniment, presented in the smaller Jerome Hynes Theatre, rather than on the theatre’s main stage. One of the “pocket {…}

News, Season Announcement

Wexford Festival Opera Unveils 75th Anniversary Season

https://operawire.com/wexford-festival-opera-unveils-75th-anniversary-season/

Wexford Festival Opera announces it 2026 season. This article only features opera events. Main Stage Operas First up is Pietro Mascagni and Luigi Illica’s “FIris.” Rosetta Cucchi directs and Francesco Cilluffo conducts. Performance Dates: October 15, 20, 23, 28, & 31, 2026 “L’equivoco stravagante” by Gioachino Rossini and Gaetano Gasbarri is next. Max Hoehn directs. Riccardo Bisatti conducts. Performance Dates: October {…}

Reviews, Stage Reviews

Royal Ballet & Opera 2025–26 Review: Jakub Hrůša and Friends in Concert

https://operawire.com/royal-ballet-opera-2025-26-review-jakub-hrusa-and-friends-in-concert/

(Photo credit: Tristram Kenton) Profane escapes scale heights heretical in offbeat tales. These contests of one-upmanship with God breed killers; lesser sinners stray with strangers. Dvořák’s unnamed “Spectre’s Bride” – the leading lady of his 1885 cantata – steals away with a dead demon. Four decades later a Chinese adventurer is robbed and killed in Bartók’s “The Miraculous Mandarin,” a {…}

News

Cape Town Opera Announces Library Programming

https://operawire.com/cape-town-opera-announces-library-programming/

Cape Town Opera has released information about its upcoming library programming. “Opera Blocks,” is a series of short performances for children up to five-years-old. The concert, “Forest Friends” is an immersive 40-minute performance that invites children to wander and engage with props and set pieces. This new production is directed by Elizma Badenhorst. Cape Town Opera singers such as Danielle Speckman, {…}