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Reviews, Stage Reviews

Princeton Festival 2019 Review: Nixon in China

https://operawire.com/princeton-festival-2019-review-nixon-in-china/

(Credit: Jessi Oliano) In the 21st century when opera is perceived as elitist and out-of-touch with contemporary issues, there are many hated buzz words which encapsulate hurdles that modern opera companies must meet if they want to survive. “Relevancy” is one such buzz word. In a society that is far-removed from the aristocracy, powdered wigs and hoop skirts, common in {…}

News

Plácido Domingo Headlines Musco Center For The Arts’ 2019-20 Season

https://operawire.com/placido-domingo-headlines-musco-center-for-the-arts-2019-20-season/

Chapman University’s Musco Center for the Arts has announced its 2019-20 season. For the purposes of this article, we will focus on opera and other vocal performances. The Legendary Count Basie Orchestra and Chapman University Big Band, directed by Scotty Barnhart, will “serve up that signature, feel-good Basie sound: foot-stomping swing, soaring dynamic contrasts and very, very danceable rhythms.” Carmen {…}

Reviews, Stage Reviews

Los Angeles Philharmonic Orchestra 2018-19 Review: Salonen’s Stravinsky – Myths

https://operawire.com/los-angeles-philharmonic-orchestra-2018-19-review-salonens-stravinsky-myths/

I have long mulled over Stravinsky’s concept of theater and his ideas about the relationship of words and dance to music. This concert may have helped me understand it. Led by their Conductor Laureate Esa-Pekka Salonen, the Los Angeles Philharmonic presented the 1947 ballet “Orpheus” and 1934 cantata, “Perséphone,” in what was the third and final concert in a mini-series {…}

Reviews, Stage Reviews

Opera Forward Festival Review 2019: Girls of the Golden West

https://operawire.com/opera-forward-festival-review-2019-girls-of-the-golden-west/

The 1848 Californian gold rush has an almost mythical place in American cultural history, with its associations of lucky strikes and the pioneering spirit, as well as more negative connotations of lawlessness, hard toil and poverty for those who were not so lucky. It has spawned Hollywood films, documentaries, books and songs, while opera-goers are also likely to associate it {…}

News

John Adams To Be Awarded 2019 Erasmus Prize

https://operawire.com/john-adams-to-be-awarded-2019-erasmus-prize/

The Praemium Erasmianum Foundation, a Dutch cultural institution dedicated to supporting the arts and humanities, announced on Feb. 21 that composer John Adams will be awarded its 2019 Erasmus Prize. According to the press release, the prize “is awarded annually to a person or institution that has made an exceptional contribution to the field of humanities, social sciences or the {…}

Reviews, Stage Reviews

Accademia Nazionale di Santa Cecilia 2018 Review: The Gospel According To The Other Mary

https://operawire.com/ccademia-nazionale-di-santa-cecilia-2018-review-the-gospel-according-to-the-other-mary/

“The Gospel according to the other Mary,” is defined by John Adams, and the complier of the libretto, Peter Sellars, as an opera-oratorio, and sitting in the concert hall of the Accademia Nazionale di Santa Cecilia, in Rome, watching a performance of the work, conducted by the composer, it is easy to see why. For this is a work that {…}

News

Anna Netrebko, Cecilia Bartoli & Placido Domingo Headline 2019 Salzburg Festival

https://operawire.com/anna-netrebko-cecilia-bartoli-placido-domingo-headline-2019-salzburg-festival/

The Salzburg Festival has announced it 2019 season with five new productions, two revivals, and two concert operas. Here is a look at what audiences can expect this season. Productions  The 2019 Salzburg Festival opens with Mozart’s “Idomeneo.” Teodor Currentzis and Peter Sellars team up again after “La Clemenza di Tito” with a cast that includes Russell Thomas (Idomeneo), Paula Murrihy {…}