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Interviews, Stage Spotlight

Q & A: Mezzo-Soprano Katie Coventry on ‘Elektra’ in Salzburg, Her Inspirations, Being a Modern Opera Singer

https://operawire.com/q-a-mezzo-soprano-katie-coventry-on-elektra-in-salzburg-her-inspirations-being-a-modern-opera-singer/

(Credit: Doris Wild) Scottish mezzo-soprano Katie Coventry was facing what a lot of singers in the opera world have endured throughout 2020. As she sat in her apartment on lockdown waiting for some good news, she saw all of her professional engagements slowly disappear as the threat of COVID-19 continued to loom large. And then she got the call from {…}

Special Features

The Pandemic Prevention Plan That Enabled the Salzburg Festival’s 100th Edition to Take Place

https://operawire.com/the-pandemic-prevention-plan-that-enabled-the-salzburg-festivals-100th-edition-to-take-place/

Every year, the Salzburg Festival fascinates with its superhuman efforts to nurture the prosperous cultural life of the city. During the summer they organize and present to the public the full seasonal repertoire of the opera house, drama theater, and concert hall. This year, with the onset of the coronavirus pandemic and the collapse of almost the entire world’s cultural {…}

Reviews, Video Productions

Metropolitan Opera Stars Live in Concert Review: Roberto Alagna & Aleksandra Kurzak in Èze, France

https://operawire.com/metropolitan-opera-stars-live-in-concert-review-roberto-alagna-aleksandra-kurzak-in-eze-france/

(Credit: © Gregor Hohenberg) The Metropolitan Opera Stars Live in Concert series continued this Sunday with a performance by the celebrated French-Italian tenor Roberto Alagna and Polish soprano Aleksandra Kurzak on the hilltop medieval village of Èze, France. On the outdoor terrace located at the Château de la Chèvre d’Or, Alagna and Kurzak were accompanied by the Vienna Morphing Quintet. {…}

Special Features

Tatiana Troyanos, Artistic Extraordinaire – One of OperaWire’s Writers Remembers the Diva From a Unique Perspective

https://operawire.com/tatiana-troyanos-artistic-extraordinaire-one-of-operawires-writers-remembers-the-diva-from-a-unique-perspective/

Baroque opera was new to me in 1975. When San Francisco Opera announced it would premier a work of Monteverdi, one of the progenitors of Italian opera, I debated whether to audition for another non-singing Super role with the company. I had a whole other life to consider—professional and familial. With nightly rehearsals over the course of six weeks in {…}

Interviews, Stage Spotlight

Q & A: Kevin Short on Systemic Racism, ‘Aida’ & the Future of Opera

https://operawire.com/q-a-kevin-short-on-systemic-racism-aida-the-future-of-opera/

Kevin Short is one of today’s most versatile bass-baritones performing at some of the world’s greatest theaters and taking on leading roles in a wide variety of repertoire from Verdi to Gershwin to Stravinsky. In the summer, he was scheduled to perform the title role in Gregory Spears and Tracy K. Smith’s world premiere opera “Castor and Patience” at the {…}

News

Doctoral Student Documents the Life and Career of Metropolitan Opera Flutist Trudy Kane

https://operawire.com/doctoral-student-documents-the-life-and-career-of-metropolitan-opera-flutist-trudy-kane/

The life story of a notable instrumentalist in the opera world has been documented by a rising musician who learned from her. Trudy Kane served as Principal Flutist of the Metropolitan Opera Orchestra from 1976 to 2008, then taught at the University of Miami’s Frost School of Music, where she is Associate Professor Emeritus. One of her students was Emily {…}

News

Mozart’s ‘Requiem’ Opens Granada Festival in Tribute to COVID-19 Victims

https://operawire.com/mozarts-requiem-opens-granada-festival-in-tribute-to-covid-19-victims/

The 69th Grenada Festival opened its 32-day extravaganza of music with a solemn performance of Mozart’s “Requiem” at the Granada Cathedral. Soloists soprano Katharina Konradi, countertenor Carlos Mena, tenor Xabier Anduaga and bass-baritone Carlos Álvarez joined the Grenada Symphony Orchestra under the baton of conductor Andrea Marcon. The Archbishopric of Granda co-produced the performance with “la Caixa” Foundation. “la Caixa” {…}

Reviews, Stage Reviews

Lithuanian National Symphony Orchestra 2020 Review: Das Lied von der Erde

https://operawire.com/lithuanian-national-symphony-orchestra-2020-review-das-lied-von-der-erde/

“What could Mahler’s ‘Das Lied von der Erde’ might mean for the people gathered in a beautiful inner yard of Alma Mater Vilnensis on this hot summer evening?” These were my thoughts as I entered the yard of Vilnius University. “Would it inspire them? Would it hit?” That night would be the first large scale classical music event in Vilnius {…}

Interviews

Opera in the Time of COVID: Michael Fabiano, Superstar Tenor & Co-Founder of ArtSmart

https://operawire.com/opera-in-the-time-of-covid-michael-fabiano-superstar-tenor-co-founder-of-artsmart/

(Credit: Frances Marshall) “Opera in the Time of COVID” is an interview series in collaboration with photographer Frances Marshall of Marshall Light Studio. We talk to notable figures from around the opera world to get their perspective on how they feel these challenging times may change opera’s present and future. Few artists are as direct as tenor Michael Fabiano. The New {…}