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Editorials

Criticism on Fridays: The Voices Raised Against the Coming Changes At the MET

https://operawire.com/criticism-on-fridays-the-voices-raised-against-the-coming-changes-at-the-met/

In this crazy and cruel world, stay classy and go to the opera. We are proud opera lovers, standing for the high art, for the most sophisticated art form. We want to preserve the heritage, and keep it great. We don’t follow the modern global market trends. Or do we? Every time Google releases a new version of its Operation {…}
DVD and CD Releases, News

Cyrille Dubois, Benjamin Appl & Eleonora Buratto Lead New CD/DVD Releases

https://operawire.com/cyrille-dubois-benjamin-appl-eleonora-buratto-lead-new-cd-dvd-releases/

As part of this week’s CD / DVD releases, audiences will get to hear rarely performed works, a Rossini album, a documentary, a streamed opera, and a solo album by one of the great tenors of his generation. George Walker The fifth audio release on The Cleveland Orchestra’s own label showcased Music Director Franz Welser-Möst performing music by American composer {…}
Reviews, Stage Reviews

Metropolitan Opera 2022-23 Review: Idomeneo

https://operawire.com/metropolitan-opera-2022-23-review-idomeneo/

  For the second straight night, the Metropolitan Opera orchestra was at its peak level. After an incredibly immersive opening night performing in Cherubini’s “Medea,” the ensemble, under the musical direction of Manfred Honeck nearly outdid itself. From the thunderous overture all the way to the final triumphant march, Honeck had the ensemble surging forward with unbridled passion and a {…}
Reviews, Stage Reviews

Bayreuth Festival 2022 Review: Tristan und Isolde

https://operawire.com/bayreuth-festival-2022-review-tristan-und-isolde/

While taking in a divisive production of “Der Ring des Nibelungen,” it was quite refreshing to take in the August 12 performance of “Tristan und Isolde” and come away hearing deserved bravos and cheers. While most productions are usually planned years in advance, director Roland Schwab was only commissioned to take on this a new production of Wagner’s masterpiece in {…}
Reviews, Stage Reviews

The Whitney Biennial 2022 Review: Raven Chacon’s ‘For Zitkála-Šá’

https://operawire.com/the-whitney-biennial-2022-review-raven-chacons-for-zitkala-sa/

Raven Chacon, a Pulitzer Prize-winning composer, performer, and installation artist from Fort Defiance, Navajo Nation, composed a series of 13 scores as portraits dedicated to different contemporary American Indian, First Nations, or Mestiza women working in music performance, composition, or sound art. Currently on view in the 2022 Whitney Biennial, this work creates space for better understanding the Yankton Dakota {…}
News

Opera Philadelphia Announces First Annual Opera on Film Series

https://operawire.com/opera-philadelphia-announces-first-annual-opera-on-film-series/

Opera Philadelphia has announced its first annual opera on film series. The event will be part of the O 2022 Festival and will show 30 cinematic operas over 12 screenings at the Philadelphia Film Center. Opera on Film will be presented from Tuesday, Sept. 27 through Sunday, Oct. 2 and will feature a big-screen binge of the operatic art form’s {…}
Special Features

Page to Opera Stage: Destruction of Self in Thomas Mann’s & Benjamin Britten’s ‘Death in Venice’

https://operawire.com/page-to-opera-stage-destruction-of-self-in-thomas-manns-benjamin-brittens-death-in-venice/

“Page to Opera Stage” looks at stories – real-life or fiction, old and new – that have inspired operas, and the ways these narratives have been edited and dramatized to fit a new medium. In this instalment, Thomas Mann’s “Death in Venice” proved the inspiration for a very different opera  It is often said all writers draw from their own {…}
Reviews, Stage Reviews

Bayreuth Baroque Festival 2021 Review: Carlo il Calvo

https://operawire.com/bayreuth-baroque-festival-2021-review-carlo-il-calvo/

(Photo: Falk von Traubenberg) Very occasionally we are fortunate enough to experience an opera production that leaves an indelible imprint on our memories; a never-forgotten experience in which adjectives such as ‘brilliant,’ ‘breath-taking’ or ‘stunning’ come to mind and can be used without any sense of exaggeration. Such was the case with Bayreuth Baroque Festival’s performance of Nicolà Porpora’s opera {…}
Behind the Scenes, Interviews

Q & A: Barbara Hendricks on the UNHCR, Compassion & Refugees

https://operawire.com/q-a-barbara-hendricks-on-the-unhcr-compassion-refugees/

(Credit: © UNHCR/Markel Redondo) Opera audiences may know Barabra Hendricks for her historical operatic performances and her forays into jazz. But for the past 35 years, Hendricks has dedicated her work to the UNHCR as the longest-serving Goodwill Ambassador. She has traveled to Mozambique, Zambia, Tanzania, Rwanda, Burundi, Ethiopia, Burkina Faso, and Cote D’Ivoire as an ambassador and visited refugee {…}

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